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Mimesis

Mimesis (Graece μίμησις < μιμεῖσθαι 'imitari' < μῖμος 'imitator, histrio') in philosophia criticisque litterarum variissimas significationes implicat, inter quas sunt imitatio, similitudo, docilitas, repraesentatio, actus expressionis, et introductio sui.[1]

Plato. Posterius protomae saeculi quarti a..n. exemplar.
Homi Bhabha, professor Harvardianus et mimesis studiosus.

Mimesis in Graecia antiqua erat notio quae creationi operum artis moderabatur, praecipue de mundo corporeo, intellectum pulchritudinis, veritatis, et boni exemplar. Plato mimesim (imitationem) a diegesi (narratione) distinguebat. Post autem Platonem, significatio vocabuli mimesis partes plerumque in litteris in antiqua societate Graeca agere coepit, et eius significatio postea commutatur emendaturque saepissime.

Unum e notissimis mimesis studiis hodiernis, genus realismi in litteris, est Erici Auerbach Mimesis: The Representation of Reality in Western Literature ('Mimesis: repraesentatio realitatis in litteris Occidentalibus'), liber qui incipiens repraesentationem mundi in Homeri Odyssea et repraesentationem mundi in Bibliis Sacris insigniter comparat. Ex quibus textibus, quorum Odyssea a scriptoribus Occidentalibus et Biblia Sacra a scriptoribus Medii Orientis excogitata sunt, Auerbach fundamenta unificatae repraesentationis rationis iecit, quae omnem historiam litterarum Occidentalium comprehendit, mythologiis modernisticis tempore Auerbachiano divulgatis non exclusis. In historia artis, vocabula mimesis, realismus, et naturalismus saepe hodie adhibentur, saepe inter sese permutantes.

Mimesis a permultis philosophis aliisque cogitatoribus subtiliter enodata est, inter quos sunt Plato, Aristoteles,[2] Philippus Sidney, Samuel Taylor Coleridge, Adam Smith, Gabriel Tarde, Sigismundus Freud, Gualterius Benjamin, Theodorus Adorno, Ericus Auerbach, Paulus Ricœur, Luce Irigaray, Iacobus Derrida, Renatus Girard, Nicolaus Kompridis, Philippus Lacoue-Labarthe, Michael Taussig, Merlinus Donald, Homi Bhabha.

Nexus interni

Notae recensere

  1. ↑ Gebauer and Wulf (1992, 1).
  2. ↑ De arte poëtica

Bibliographia recensere

  • Antos, Gerd, Thomas Bremer, Andrea Jäger, et Christian Oberländer, eds. 2008. Wahrnehmungskulturen. Erkenntnis-Mimesis-Entertainment. Halle: Mitteldeutscher Verlag. ISBN 978-3-89812-533-8.
  • Auerbach, Erich. 1953. Mimesis: The Representation of Reality in Western Literature. Princeton: Princeton University Press. ISBN 0-691-11336-X.
  • Benjamin, Walter. 1977. "Über das mimetische Vermögen." In Gesammelte Schriften II. Band 1, ed. Rolf Tiedemann et Hermann Schweppenhäuser. Francofurti: Suhrkamp.
  • Coleridge, Samuel Taylor. 1983. Biographia Literaria, vol. 1, ed. James Engell et Walter Jackson Bate. Princeton Novae Caesareae: Princeton University Press. ISBN 0-691-09874-3.
  • Davis, Michael. 1999. The Poetry of Philosophy: On Aristotle's Poetics. South Bend Indianae: St Augustine's Press. ISBN 1-890318-62-0.
  • Elam, Keir. 1980. The Semiotics of Theatre and Drama. New Accents Series. Londinii et Novi Eboraci: Methuen. ISBN 0-416-72060-9.
  • Gebauer, Gunter, et Christoph Wulf. 1992. Mimesis: Culture, Art, Society. Conv. Don Reneau. Berkeleiae et Londinii: University of California Press. ISBN 0-520-08459-4.
  • Gebauer, Gunter, et Christoph Wulf. 1992. Mimesis: Kultur, Kunst, Gesellschaft. Reinbek bei Hamburg: Rowohlt. ISBN 3-499-55497-6.
  • Girard, René. 2008. Mimesis and Theory: Essays on Literature and Criticism, 1953–2005, ed. Robert Doran. Stanford: Stanford University Press. ISBN 978-0-8047-5580-1.
  • Halliwell, Stephen. 2002. The Aesthetics of Mimesis: Ancient Texts and Modern Problems. Princeton Novae Caesareae. Princeton University Press. ISBN 0-691-09258-3.
  • Kaufmann, Walter. 1992. Tragedy and Philosophy. Princeton Novae Caesareae: Princeton University Press. ISBN 0-691-02005-1.
  • Lacoue-Labarthe, Philippe. 1989. Typography: Mimesis, Philosophy, Politics, ed. Christopher Fynsk. Cantabrigiae Massachusettae: Harvard University Press. ISBN 9780804732826.
  • Lawtoo, Nidesh. 2013. The Phantom of the Ego: Modernism and the Mimetic Unconscious. East Lansing: Michigan State University Press. ISBN 9781611860962.
  • Mayer, Hartmut. 2017. Mimesis und moderne Architektur. Bielefeld: Transcript. ISBN 978-3-8376-3812-7.
  • Metscher, Thomas. 2004. Mimesis. Bielefeld: Transcript. ISBN 3-89942-165-5.
  • Miller, Gregg Daniel. 2011. Mimesis and Reason: Habermas's Political Philosophy. Albaniae Novi Eboraci: SUNY Press. ISBN 978-1-4384-3740-8.
  • Ott, Karl-Heinz. 2010. Die vielen Abschiede von der Mimesis.' Stutgardiae. ISBN 978-3-515-09803-8.
  • Pfister, Manfred. 1988. The Theory and Analysis of Drama. Conv. John Halliday. European Studies in English Literature Series. Cantabrigiae: Cambridge University Press. ISBN 0-521-42383-X.
  • Potolsky, Matthew. 2006. Mimesis. Londinii: Routledge. ISBN 0415700302.
  • Prang, Christoph. 2010. "Semiomimesis: The influence of semiotics on the creation of literary texts: Peter Bichsel's Ein Tisch ist ein Tisch and Joseph Roth's Hotel Savoy." Semiotica 182: 375–96.
  • Sörbom, Göran. 1966. Mimesis and Art. Uppsalae.
  • Snow, Kim, Hugh Crethar, Patricia Robey, et John Carlson. 2005. "Theories of Family Therapy (Part 1)." In "Family Therapy Review: Preparing for Comprehensive Licensing Examination." Lawrence Erlbaum Associates. ISBN 0-8058-4312-4.
  • Sen, R. K. 2001. Mimesis. Calcuttae: Syamaprasad College.
  • Sen, R. K. 1066. Aesthetic Enjoyment: Its Background in Philosophy and Medicine. Calcuttae: University of Calcutta.
  • Sörbom, Göran. 1966. Mimesis and Art. Uppsalae.
  • Tatarkiewicz, Władysław. 1980. A History of Six Ideas: An Essay in Aesthetics. Conv. Christopher Kasparek. Hagae: Martinus Nijhoff. ISBN 90-247-2233-0.
  • Taussig, Michael. 1993. Mimesis and Alterity: A Particular History of the Senses. Londinii et Novi Eboraci: Routledge. ISBN 0-415-90686-5.
  • Taussig, Michael. 1997. Mimesis und Alterität: Eine eigenwillige Geschichte der Sinne. Hamburgi: eva Wissenschaft. ISBN 3-434-52000-7.
  • Tsitsiridis, Stavros. 2005. "Mimesis and Understanding: An Interpretation of Aristotle's Poetics 4.1448b4-19." Classical Quarterly 55: 435-46.
  • Warnke, Martin. 2004. Synthese Mimesis Emergenz. Eröffnungsveranstaltung der Reihe „Zeitpfeil“ im Helmholtz-Zentrum der Humboldt-Universität Berlin, Alcatel-Stiftung für die Informationsgesellschaft. PDF.

Nexus externi recensere

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