Fictio generum
Fictio generum,[1] etiam fictio popularis appellata, in commerico librorum venumdandorum, est fictio se accommodans ut in certum genus litterarum apta sit, lectores fautoresque illius generis iam scientes ad se alliciens.[2]
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Fictio generum a fictione litteraria plerumque distinguitur, sed nonnulli scriptores fictionis litterariae fictionem generum etiam scripserunt. Exempli gratia, Ioannes Banville mythistorias criminales nomine Benjamin Black etiam profert, ambaeque Doris Lessing et Margarita Atwood fictionem scientificam in vulgus acceptam pepererunt. Georgius Simenon, creator mythistoriarum inquisitoriarum de Maigret, ab Andrea Gide "mythistoricissimus ex mythistoriarum scriptoribus in litteris Francicis" appellatus est.[3]
Principalia genera in publicatione hodierna adhibita sunt fictio criminalis et inquisitoria, fictio phantastica (de phantasia), fictio romantica, fictio scientifica, fictio occidentalis, fictio inspirationalis, fictio gothica, et fictio horroris.
Notae
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Bibliographia
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- Claffey, Charles E., et Mark Feeley. 1989. "The Prolific Life of Georges Simenon." South Florida Sun Sentinel, 10 Septembris 1989. Editio interretialis.
- Dawson Varughese, E. 2017. Genre fiction of new India: post-millennial receptions of 'weird' narratives. Novi Eboraci: Routledge. ISBN 9781138023208.
- Flood, Alison. 2011. "BBC denies 'sneering' at genre fiction." The Guardian, 21 Aprilis 2011. Editio interretialis.
- Fong, K., J. B. Mullin, et R. A. Mar. 2013. "What you read matters: The role of fiction genre in prediction interpersonal sensitivity." Psychology of Aesthetics, Creativity, and the Arts 7 (4): 370–76.
- Forbes, Jamie M. 1998. "Fiction Dictionary." In Writer's Guide to Book Editors, Publishers, and Literary Agents 1999–2000, ed Jeff Herman, 861–871. Rocklin Californiae: Prima Publishing.
- Frazier-DeLoach, Nora L. 1994. How to write and sell genre fiction: (romance, mystery, adventure, horror). Orlando Floridae: Rotuma Publishing. Company. ISBN 0964050706.
- French, Christy Tillery. "Literary Fiction vs Genre Fiction." Authors Den.
- Herald, Diana Tixier. 2000. Genreflecting: a guide to reading interests in genre fiction. Ed. quinta. Englewood Colorati: Libraries Unlimited. ISBN 1563086387.
- Herrscher, Roberto. 2012. Periodismo narrativo cómo contar la realidad con las armas de la literatura. Barcinonae: Publicacions i Edicions.
- Johnson-Woods, Toni. 2005. Pulp: A collectors book of Australian pulp fiction covers. Australian National Library. ISBN 0-642-10766-1
- Lennard, John. 2007. Of modern dragons: and other essays on genre fiction. Tirril: Humanities-Ebooks. ISBN 9781847600691, ISBN 9781847600387.
- Lennard, John. 2010. Of sex and faerie: further essays on genre fiction. Penrith: Humanities-Ebooks. ISBN 9781847601735, ISBN 1847601731.
- McKee, Robert. 1997. Story: Substance, Structure, Style, and the Principles of Screenwriting. Novi Eboraci: HarperCollins. ISBN 0-06-039168-5.
- Saricks, Joyce G. 2009. The readers' advisory guide to genre fiction. Ed. secunda. / Joyce G. Saricks. Sicagi: American Library Association. ISBN 9780838909898, ISBN 0838909892.
- Schneider-Mayerson, Matthew. 2010. "Popular Fiction Studies: The Advantages of a New Field." Studies in Popular Culture 33 (1): 21–35/
- Shaw, Katy, ed. 2016. Teaching 21st century genres. Londinii: Palgrave Macmillan. ISBN 9781137553898, ISBN 9781137553904, ISBN 1137553901.
- Sutherland, John. 1981. Bestsellers: Popular Fiction of the 1970s. Londinii et Bostoniae: Routledge. ISBN 0-7100-0750-7.
- Swirski, Peter. 2005. From Lowbrow to Nobrow. Monte Regali et Londdnii: McGill-Queen's University Press. ISBN 978-0-7735-3019-5.