King Lear ('Rex Lear') est tragoedia a Gulielmo Shakesperio docta. Descensum per gradus in furorem Lear senis pingit postquam regnum, blandimentis corruptus, in partes binis e suis filiis tribus tribuit, qua pro causa omnes damno miserabiliter afficiuntur. Ludus, e fabula traditionali ortus de quodam Leir Britannico, mythologico rege Celtico, qui priusquam Romani advenerunt regnabat, latissime ad scaenam pelliculasque accommodatus est, primis partibus a pluribus e perpolitis orbis terrarum histrionibus cupide appetitis.

Lear et scurra procellosi.
Pagina titularis primae editionis in quarto, anno 1608 editae.
Lear et Cordelia. Pictura Ford Madox Brown (1849–1854).

Tragoedia confecta est inter annos fere 1603 et 1606, edita in quarto anno 1608, et in editione in folio (titulo Mr. William Shakespeares Comedies, Histories & Tragedies) anno 1623 complexa.

Historia recensere

Lear est octogenarius Britanniae rex. Frustra conatur rerum perturbationem defugere, unde regnum tripartito dividit, filiis Goneril, Regan, et Cordeliae tradens.

Trivia recensere

Opera "Lear" tragoediam Shakesperii sequens a compositore Ariberto Reimann annis ab 1976 ad 1978 facta est.

Nexus interni

Bibliographia recensere

  • Armstrong, Alan. 2003. Unfamiliar Shakespeare. In Shakespeare: An Oxford Guide, ed. Stanley Wells et Lena Cowen Orlin, 308–319. Oxoniae: Oxford University Press. ISBN 0-19-924522-3.
  • Bradley, Lynne. 2010. Adapting King Lear for the Stage. Ashgate. ISBN 978-1-4094-0597-9.
  • Brode, Douglas. 2001. Shakespeare in the Movies: From the Silent Era to Today. Berkley Boulevard. ISBN 0-425-18176-6.
  • Burnett, Mark Thornton, et Ramona Wray, eds. 2006. Screening Shakespeare in the Twenty-First Century. Edimburgi: Edinburgh University Press. ISBN 978-0-7486-2351-8.
  • Burt, Richard. 2006. Backstage Pass(ing): Stage Beauty, Othello and the Make-up of Race. In Screening Shakespeare in the Twenty-First Century, ed. Mark Thornton Burnett et Ramona Wray, 53–71. Edimburgi: Edinburgh University Press. ISBN 978-0-7486-2351-8.
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  • Chauhan, Abnish Singh. 2016. William Shakespeare: King Lear. Bhavdiya Prakashan, Ayodhya, India. ISBN 978-9385893018.
  • Dawson, Anthony B. 2002. International Shakespeare. In The Cambridge Companion to Shakespeare on Stage, ed. Stanley Wells et Sarah Stanton, 174–93. Cantabrigiae: Cambridge University Press. ISBN 0-521-79711-X.
  • Ekwall, Eilert. 1928. English River-Names. Oxoniae: Clarendon Press.
  • deGrazia, Margreta, et Stanley Wells. 2001. The Cambridge Companion to Shakespeare. Cambridge University Press. ISBN 0-521-65881-0.
  • Gay, Penny. 2002. Women and Shakespearean Performance. In The Cambridge Companion to Shakespeare on Stage, ed. Stanley Wells et Sarah Stanton, 155–73. Cantabrigiae: Cambridge University Press. ISBN 0-521-79711-X.
  • Gillies, John, Ryuta Minami, Ruri Li, et Poonam Trivedi. 2002. Shakespeare on the Stages of Asia. In The Cambridge Companion to Shakespeare on Stage, ed. Stanley Wells et Sarah Stanton, 259–83. Cantabrigiae: Cambridge University Press. ISBN 0-521-79711-X.
  • Greenhalgh, Susan, et Robert Shaughnessy. 2006. Our Shakespeares: British Television and the Strains of Multiculturalism. In Screening Shakespeare in the Twenty-First Century, ed. Mark Burnett Thornton et Ramona Wray, 90–112. Edimburgi: Edinburgh University Press. ISBN 978-0-7486-2351-8.
  • Guntner, J. Lawrence. 2000. Hamlet, Macbeth and King Lear on Film. In The Cambridge Companion to Shakespeare on Film, ed. Russell Jackson, 117–134. Cantabrigiae: Cambridge University Press. ISBN 0-521-63975-1.pp. 128–132.
  • Gurr, Andrew, et Mariko Ichikawa. 2000. Oxford Shakespeare Topics: Staging in Shakespeare's Theatres. Oxoniae: Oxford University Press. ISBN 978-0-19-871158-2.
  • Hodgdon, Barbara, et W. B. Worthen. 2005. A Companion to Shakespeare and Performance. Oxoniae: Blackwell Publishing. ISBN 978-1-4051-8821-0.
  • Holland, Peter. 2001. Shakespeare in the Twentieth-Century Theatre. In The Cambridge Companion to Shakespeare, ed. Margreta deGrazia et Stanley Wells, 199–215. Cantabrigiae: Cambridge University Press. ISBN 0-521-65881-0.
  • Howard, Tony. 2000. Shakespeare's Cinematic Offshoots. In The Cambridge Companion to Shakespeare on Film, ed. Kenneth Hurlstone Jackson, 295–313. Cantabrigiae: Cambridge University Press. ISBN 0-521-63975-1.
  • Jackson, Kenneth Hurlstone. (1953) 1995. Language and history in early Britain: A chronological survey of the Brittonic languages, first to twelfth century A.D. Edimburgi: University of Edinburgh Press. ISBN 978-1-85182-140-2.
  • Jackson, Russell, ed. 2000. The Cambridge Companion to Shakespeare on Film. Cantabrigiae: Cambridge University Press. ISBN 0-521-63975-1.
  • Keenan, Siobhan. 2014. Acting Companies and Their Plays in Shakespeare's London. Londinii: Arden, 2014. 86-92.
  • Jackson, Russell. 2001. "Shakespeare and the Cinema." In The Cambridge Companion to Shakespeare, ed. Margreta deGrazia et Stanley Wells, 217–233. Cantabrigiae: Cambridge University Press. ISBN 0-521-65881-0.
  • Jackson, Russell. 1986. "Shakespeare on the Stage from 1660 to 1900." In The Cambridge Companion to Shakespeare Studies, ed/ Stanley Wells, 187–212. Cantabrigiae: Cambridge University Press. ISBN 0-521-31841-6.
  • Lan, Yong Li. 2005. "Shakespeare and the Fiction of the Intercultural." In A Companion to Shakespeare and Performance, ed/ Barbara Hodgdon et W. B. Worthen, 527–549. Oxoniae: Blackwell Publishing. ISBN 978-1-4051-8821-0.
  • Lehmann, Courtney. 2006. "The Postnostalgic Renaissance: The 'Place' of Liverpool in Don Boyd's My Kingdom." In Screening Shakespeare in the Twenty-First Century, ed. Mark Thornton Burnett et Ramona Wray, 72–89. Edimburgi: Edinburgh University Press. ISBN 978-0-7486-2351-8.
  • Marsden, Jean I. 2002. "Improving Shakespeare: from the Restoration to Garrick." In The Cambridge Companion to Shakespeare on Stage, ed. Stanley Wells et Sarah Stanton, 21–36. Cantabrigiae: Cambridge University Press. ISBN 0-521-79711-X.
  • McKernan, Luke, et Olwen Terris. 1994. Walking Shadows: Shakespeare in the National Film and Television Archive. British Film Institute. ISBN 0-85170-486-7.
  • McNeir, Waldo F. 1968. "The Role of Edmund in King Lear." Studies in English Literature, 1500-1900 8 (2, Elizabethan and Jacobean Drama: 187–216. doi:10.2307/449655. ISSN 0039-3657. JSTOR 449655. EISSN 1522-9270.
  • Moody, Jane. 2002. "Romantic Shakespeare." In The Cambridge Companion to Shakespeare on Stage, ed. Stanley Wells et Sarah Stanton, 37–57. Cantabrigiae: Cambridge University Press. ISBN 0-521-79711-X.
  • Potter, Lois. 2001. "Shakespeare in the Theatre, 1660–1900." In The Cambridge Companion to Shakespeare, ed. Margreta deGrazia et Stanley Wells, 183–98. Cantabrigiae: Cambridge University Press. ISBN 0-521-65881-0.
  • Rosenthal, Daniel. 2007. 100 Shakespeare Films. British Film Institute. ISBN 978-1-84457-170-3.
  • Schoch, Richard W. 2002. "Pictorial Shakespeare." In The Cambridge Companion to Shakespeare on Stage, ed. Stanley Wells et Sarah Stanton, 58–75. Cantabrigiae: Cambridge University Press. ISBN 0-521-79711-X.
  • Shakespeare, William. 1997. King Lear, ed. R. A. Foakes. The Arden Shakespeare, series 3a. Methuen Drama. ISBN 978-1-903436-59-2.
  • Shakespeare, William. (1972) 1996. King Lear, ed. G. K. Hunter. New Penguin Shakespeare.
  • Shaw, George Bernard. 1961. Shaw on Shakespeare, ed. Edwin Wilson. Applause. ISBN 1-55783-561-6.
  • Tatspaugh, Patricia. 2003. "Performance History: Shakespeare on the Stage 1660–2001." In Shakespeare: An Oxford Guide, ed. Stanley Wells et Lena Cowen Orlin, 525–49. Oxoniae: Oxford University Press. ISBN 0-19-924522-3.
  • Taylor, Gary, et Michael Warren, eds. 1983. "The Division of the Kingdoms: Shakespeare's Two Versions of King Lear." Oxoniae: Clarendon Press. ISBN 978-0-19-812950-9.
  • Taylor, Gary. 2002. "Shakespeare Plays on Renaissance Stages." In The Cambridge Companion to Shakespeare on Stage, ed. Stanley Wells et Sarah Stanton, 1–20. Cantabrigiae: Cambridge University Press. ISBN 0-521-79711-X.
  • Taylor, Michael. 2003. "The Critical Tradition." In Shakespeare: An Oxford Guide, ed. Stanley Wells et Lena Cowen Orlin, 323–32. Oxoniae: Oxford University Press. ISBN 0-19-924522-3.
  • Thomson, Peter. 2002. "The Comic Actor and Shakespeare." In The Cambridge Companion to Shakespeare on Stage, ed. Stanley Wells et Sarah Stanton, 137–54. Cantabrigiae: Cambridge University Press. ISBN 0-521-79711-X.
  • Warren, Roger. 1986. "Shakespeare on the Twentieth-Century Stage." In The Cambridge Companion to Shakespeare Studies, ed/ Stanley Wells, 257–272. Cantabrigiae: Cambridge University Press. ISBN 0-521-31841-6.
  • Wells, Stanley, ed. 1986. The Cambridge Companion to Shakespeare Studies. Cantabrigiae: Cambridge University Press. ISBN 0-521-31841-6.
  • Wells, Stanley, ed. 1997. Oxford Shakespeare Topics: Shakespeare in the Theatre, An Anthology of Criticism. Oxoniae: Oxford University Press. ISBN 978-0-19-871176-6.
  • Wells, Stanley, et Lena Cowen Orlin. 2003. Shakespeare: An Oxford Guide. Oxoniae: Oxford University Press. ISBN 0-19-924522-3.
  • Wells, Stanley, et Sarah Stanton, eds. 2002. The Cambridge Companion to Shakespeare on Stage. Cantabrigiae: Cambridge University Press. ISBN 0-521-79711-X.
King Lear : Index personarum
 
Gulielmus Shakesperius

Lear, rex Britanniae · Rex Franciae · Dux Burgundiae · Dux Cornubiae · Dux Albaniae · Comes Cantiae · Comes Glocestriae · Edgar, Glocestriensis comitis filius · Edmund, Glocestriensis comitis filius nothus · Curan, aulicus · Oswald, procurator Goneril · Senex, Glocestriensis comitis vilicus · Medicus · Scurra regis Lear · Capitanus Edmundi sectator · Ingenuus Cordeliae minister · Nuntius · Servi ducis Cornubiensis
Goneril, Regan et Cordelia, filiae regis Lear
Equites sectatores Lear, ingenui, nuntii, milites, ministri