Ethnofictio

Ethnofictio neologismus ad docufictionem ethnographicam spectat, mixtio pelliculae documentariae et fictionalis in disciplina anthropologiae oculorum. Quae est genus pelliculae in quo, per narrationem fictionalem vel cogitationem creativam, saepe ex tempore factam, personae depictae suas partes proprias ut socii gregis ethnici vel socialis agunt.

Ioannes Rouch pater ethnofictionis putatur.^[1] Apud Rouch, ethnologus, pelliculam faciens, mox invenit se interponere in eventum quem pelliculat, suam machinam photographicam quoque "camera candida" numquam esse.^[2] Mores hominum depictorum coram se tangentur. Pro Rouch, contra principia Marcelli Griaule,^[3]^[4]^[5]^[6] sui consiliarii, machina photographica eventus puros pelliculans in investigationibus ethnographicis (sicut ritus pelliculatus sine "intercessione" camerae) est "praenotio" ab usu negata.^[7]^[8]^[9]^[10]^[11]

Ethnographus qui photomachinulam fert us socius naturalis ab histrionibus qui suarum partes agunt inter eorum numeros accipietur. Qui erit unus ex eis, fortasse adeo rhythmo saltatorum in celebratione rituali elatus, in statum stuporis cinematographici inductus.^[12]^[13] Ioannes Rouch, decessoress excedens, histrionem facit instrumentum investigationis.^[14] Robertus J. Flaherty, praecipuu caput pro Rouch, avus huius generis putari potest, quamquam solum fuit fabricator documentariorum, non ethnographus.

Vocabulum ethnofictio, plerumque ad spectanda pelliculas ethnographicas ut res anthropologiae oculorum adhibitum, documentaria usu comparata ante et post opera Rouchiana spectare potest, atque ad ullam fictionis creationem in communicatione humana, artibus, et litteris cui ortus ethnographicus vel socialis erit.

Chronologia

1951-1960

1955 - Les maîtres fous, Ioannes Rouch. Francia
1958 – Moi, un noir, Ioannes Rouch, Francia

1961-1970

1961 – La pyramide humaine, Ioannes Rouch, Francia
1962 – Acto da Primavera, Emanuel de Oliveira. Portugallia
1963 – Pour la suite du monde, Petrus Perrault et Michael Brault, Canada
1967 - Jaguar (pellicula), Ioannes Rouch, Francia

1971-1980

1976 – People from Praia da Vieira, Antonius Campos, Portugallia
1976 – Changing Tides, Ricardus Costa, Portugallia
1976 – Trás-os-Montes, Antonius Reis et Margarita Cordeiro, Portugallia
1979 – Bread and Wine, Ricardus Costa, Portugallia

1981-1990

1988 – Mortu Nega, Flora Gomes, Guinea Bissavia

1991-2000

2000 – No Quarto da Vanda, Petrus Costa
2003 – Terra Longe, Daniel E. Thorbecke
2006 – Colossal Youth, Petrus Costa
2007 – Transfiction, Ioannes Sjöberg

Tempora recentiora

2011 - Toomelah, Ioannes Sen

Notae

↑ Glossarium, www.maitres-fous.net.
↑ Genera machinarum photographicarum, definitio in UCLA.
↑ Sybil Amber, Marcel Griaule (1898–1956), articles.cybilamber.com.
↑ From Pictorializing to Visual Anthropology1, elnil.org (capitulum in Handbook of Methods in Cultural Anthropology).
↑ Ted Nannicelli, "From Representation to Evocation: Tracing a Progression in Jean Rouch's Les magiciens de Wanzerbé, Les maîtres fous, and Jaguar," www.tandfonline.com (Taylor & Francis Group).
↑ Gaetano Ciarcia, L'ethnofiction a l'oeuvre: Prisme et images de l'entité dogon, alor.univ-montp3.fr (Université Montpellier III).
↑ Anglice: "a pre-concept denied by practice."
↑ Father of 'cinema verite' dies, BBC news.
↑ Ben Michaels, Biographies: Jean Rouch, Indiana University.
↑ Paul Stoller, A Tribute to Jean Rouch, Rouge.
↑ Sarah Cooper, Knowing Images: Jean Rouch’s Ethnography, capitulum in monographo Selfless Cinema?: Ethics and French Documentary (Oxoniae: Legenda, 2006), maitres-fous.net.
↑ Cine-trance.
↑ "Cine-trance: a tribute to Jean Rouch" (Visual Anthropology, American Anthropologist).
↑ Brian Quist, "Jean Rouch and the Genesis of Ethnofiction," thesis, Long Island University.

Nexus interni

Bibliographia

Augé, Marc. The War of Dreams: Exercises in Ethno-Fiction, books.google.com
Ciarcia, Gaetano. L’ETHNOFICTION A L'ŒUVRE: prisme et images de l'entité dogon, alor.univ-montp3.fr (Université Montpellier III)
Ethnofiction, www.methods.manchester.ac.uk (University of Manchester)
Ethnic Portraits and Ethnofiction, http://mubi.com
Paganini, Andrea. Rouch & Cie. - un quintette, www.doc.ubi.pt (École des Hautes Études en Sciences Sociales)
Sjöberg, Johannes. Ethnofiction and Beyond: The Legacy of Projective Improvisation in Ethnographic Filmmaking,^{[nexus deficit]} www.comite-film-ethno.net

Nexus externi

Ethnofiction, www.methods.manchester.ac.uk
Ethnofiction and the Work of Jean Rouch, ukvisualanthropology.com
Consider ethnofiction, www.tandfonline.com?

[1] Glossarium, www.maitres-fous.net.

[2] Genera machinarum photographicarum, definitio in UCLA.

[3] Sybil Amber, Marcel Griaule (1898–1956), articles.cybilamber.com.

[4] From Pictorializing to Visual Anthropology1, elnil.org (capitulum in Handbook of Methods in Cultural Anthropology).

[5] Ted Nannicelli, "From Representation to Evocation: Tracing a Progression in Jean Rouch's Les magiciens de Wanzerbé, Les maîtres fous, and Jaguar," www.tandfonline.com (Taylor & Francis Group).

[6] Gaetano Ciarcia, L'ethnofiction a l'oeuvre: Prisme et images de l'entité dogon, alor.univ-montp3.fr (Université Montpellier III).

[7] Anglice: "a pre-concept denied by practice."

[8] Father of 'cinema verite' dies, BBC news.

[9] Ben Michaels, Biographies: Jean Rouch, Indiana University.

[10] Paul Stoller, A Tribute to Jean Rouch, Rouge.

[11] Sarah Cooper, Knowing Images: Jean Rouch’s Ethnography, capitulum in monographo Selfless Cinema?: Ethics and French Documentary (Oxoniae: Legenda, 2006), maitres-fous.net.

[12] Cine-trance.

[13] "Cine-trance: a tribute to Jean Rouch" (Visual Anthropology, American Anthropologist).

[14] Brian Quist, "Jean Rouch and the Genesis of Ethnofiction," thesis, Long Island University.

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