Impressionismus syntheticus

Impressionismus syntheticus est modus pingendi qui colores diligenter observatos expressivaque pigmentorum tractationem pictorum impressionisticorum cum abstractione spatii et plurimis conspectibus in maius elatis pictorum cubisticorum miscet. Inter praecursores impressionismi synthetici erant Van Gogh, Cézanne, et Chaim Soutine. Inter artifices hodiernos qui huic modo pingendi favent sunt Iacobus Michalopoulos et Carolus Tersolo, artifices Americani. Haec locutio etiam in musica et litteris adhibetur.

Scientia naturalis, nocte (Bostonia), pictura olearia a Carolo Tersolo facta (2006), 24 x 30 cm, collectio privata.

Nexus interni

• Synthetismus

Bibliographia

• Bragaglia, Anton Giulio. 1973. Futurist Photodynamism, converterunt Robert Brain, R. W. Flint, J. C. Higgitt, et Caroline Tisdall. In Documents of 20th Century Art: Futurist Manifestos, ed. Umbro Apollonio, 38-45. Novi Eboraci: Viking Press.
• Briganti, Chiara, et Kathy Mezei. 2016. Domestic Modernism, the Interwar Novel, and E. H. Young. Aldershot, Hants et Burlingtoniae Montis Viridis: Ashgate. ISBN 075465317X.
• Fletcher, John Gould. 1921. Paul Gaugin: His Life and Art. New York: Nicholas L. Brown.
• Kalba, Laura Anne. 2017. Color in the age of impressionism: commerce, technology, and art. University Park Pennsylvaniae: The Pennsylvania State University Press. ISBN 9780271077000.
• Martin, Wallace. 1967. The New Age Under Orage: Chapters in English Cultural History. Mancuniae: Manchester University Press; Novi Eboraci: Barnes & Noble.
• Marx, Jonathan. 2001. Warp speed. Beat Poets: Visionary British collective Faithless continue to redefine dance music, 9 Augusti.