Sectio Aurea (grex)
Sectio Aurea (Francogallice La Section d'Or), etiam Grex Puteaux (Groupe de Puteaux) appellata, fuit grex pictorum, sculptorum, poetarum, et criticorum qui cubismo et orphismo faverunt. Qui artifices in suburbiis Lutetianis domi fratrum Duchamp Puteaux in vico et in officina Alberti Gleizes Curbaviae assidue conveniebant.[1] Sodales ab 1911 ad 1914 fere exhibitione controversa in Salon des Indépendants vere anni 1911 habita innotuerunt. Haec exhibitio, quae opera Alberti Gleizes, Ioannis Metzinger, Roberti Delaunay, Henrici le Fauconnier, Fernandi Léger, et Mariae Laurencin protulit Gulielmo Apollinaire petente, opprobrio fuit civitati, quo cubismus animos hominum primum ad se convertit.
Sodales notabiles
recensere- Alexander Archipenko, 1887–1964
- Constantinus Brâncuși, 1876–1957
- Iosephus Csaky, 1888–1971
- Alexandra Exter, 1882–1949
- Robertus Delaunay, 1885–1941
- Marcellus Duchamp, 1887–1968
- Raymondus Duchamp-Villon, 1876–1918
- Pierre Dumont, 1884–1936
- Alexandra Ekster, 1882–1949
- Henricus le Fauconnier, 1881–1946
- Rogerius de La Fresnaye, 1885–1925
- Albertus Gleizes, 1881–1953
- Natalia Goncharova, 1881–1962
- Ioannes Gris, 1887–1927
- František Kupka, 1871–1957
- Ioannes Lambert-Rucki, 1888–1967
- Maria Laurencin, 1883–1956
- Fernandus Léger, 1881–1955
- Andreas Lhote, 1885–1962
- Ioannes Marchand, 1883–1940
- Ludovicus Marcoussis, 1878–1941
- Andreas Mare, 1885–1932
- Ioannes Metzinger, 1883–1956
- Franciscus Picabia, 1879–1953
- Georgius Ribemont-Dessaignes, 1884–1974
- Ioanna Rij-Rousseau, 1870–1956
- Andreas Dunoyer de Segonzac, 1884–1974
- Eugenius Tirvert, 1881–1948
- Tobeen, 1880–1938
- Henricus Valensi, 1883–1960
- Iacobus Villon, 1875–1963
Collaboratores
recensere- Gulielmus Apollinaire, 1880–1918
- Rogerius Allard, 1885–1961
- Gabriel Buffet-Picabia, 1881–1985
- Renatus Blum (ballet), 1878–1942
- Adolphus Basler, 1878–1949
- Marcus Brésil
- Maximust Goth (Maximilianus Gauthier), 1893–1977
- Olivier Hourcade
- Maximus Jacob, 1876–1944
- Petrus Müller, 1884–1914
- Iacobus Nayral (Iosephus Houot), ?–1914
- Mauritius Princet, 1875–1973
- Mauritius Raynal, 1884–1954
- Paulus Napoleo Roinard, 1856–1930
- Petrus Reverdy, 1889–1960
- Andreas Salmon, 1881–1969
- Paulus Villes, 1881-1977
- Andreas Warnod, 1885–1960
- Francis Yard, 1876–1947
Nexus interni
Notae
recensere- ↑ http://mediation.centrepompidou.fr/education/ressources/ENS-futurisme2008/ENS-futurisme2008-07-section-or.html "Le Salon de la Section d'Or, Octobre 1912,"] Mediation Centre Pompidou.
Bibliographia
recensere- Debray, Cécile, et Françoise Lucbert. 2000. La Section d'or, 1912–1920–1925. Catalogus exhibitionis. Musées de Châteauroux, Musée Fabre. Lutetiae: Éditions Cercle d'art.
- Barr, Alfredus. 1936. Cubism and Abstract Art. Novi Eboraci: Museum of Modern Art.
- Cauman, John, 2001. Inheriting Cubism: The Impact of Cubism on American Art, 1909–1936. Novi Eboraci: Hollis Taggart Galleries. ISBN 0970572344.
- Cooper, Douglas. 1970. The Cubist Epoch. Londinii: Phaidon, cum Los Angeles County Museum of Art & Metropolitan Museum of Art. ISBN 0875870414.
- Golding, John. 1959. Cubism: A History and an Analysis, 1907–1914. Novi Eboraci: Wittenborn.
- Richardson, John. 1991. A Life Of Picasso, The Cubist Rebel 1907–1916. Novi Eboraci: Alfred A. Knopf. ISBN 9780307266651.
Nexus externi
recensere- Catalogus exhibitionis Salon de "La Section d'Or", 1912. Chartae Gualterii Pach, Archives of American Art Instituti Smithsoniani.
- Exposition de la Section d’Or à la galerie La Boétie (Paris) et parution du traité Du Cubisme de Gleizes et Metzinger, 1912. Archives de France.
- La Section d'Or, numero special, 9 Octobre 1912. Documentum plenum, Bibliotheca Kandinskiana Centri Pompidou.