Fasciculus:Vatican G 23 Group - Black-figure Pseudo-Panathenaic Amphora - Walters 482105 - Detail B.jpg

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Summarium

Vatican G 23 Group: Black-figure Pseudo-Panathenaic Amphora   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artifex
Vatican G 23 Group  (fl. circa 500 BC
date QS:P,–0500–00–00T00:00:00Z/9,P1480,Q5727902
circa 480 BC
date QS:P,–0480–00–00T00:00:00Z/9,P1480,Q5727902
 wikidata:Q65548735
 
Alia nomina
Group of Vatican G 23
Descriptio Greek black-figure vase painter
Work period circa 500 BC
date QS:P,-0500-00-00T00:00:00Z/9,P1480,Q5727902
 Edit this at Wikidatacirca 480 BC
date QS:P,-0480-00-00T00:00:00Z/9,P1480,Q5727902
 Edit this at Wikidata
Work location
Authority file
artist QS:P170,Q65548735
Titulus
Black-figure Pseudo-Panathenaic Amphora
Descriptio
English: On side A, Athena is striding to the left with a spear in her raised left hand and a shield in her right with a large snake, a popular shield device on Panathenaic vases of the late Archaic period. She is wearing a patterned garment, a high-crested helmet, and the "aegis," from which several snake heads clearly emerge. Two thin columns crowned by roosters frame the scene.

The reverse shows two young jockeys in high gallop in the heat of the race. Both boys are nude and ride without saddles or stirrups, guiding the horse with their reins. The rider in the back is using a whip in his raised right hand to gain some ground on his opponent. The focus is clearly on the rider on the left, whose horse occupies the composition's foreground, its head partially obscuring the other rider. The prominence of the horse and rider, captured at a decisive moment in the race, may signal the contest's victor.

The amphora lacks the prize inscription on the front that is characteristic of small-scale copies, created for trade and as commemorative souvenirs, of the Panathenaic prize amphoras (see Bentz 1998, 19-22). Dorothy Hill noted that the piece is stylistically and thematically close to the work of the Eucharides Painter, who painted at least three full-scale Panathenaic prize amphoras depicting two riders competing (Maul-Mandelartz 1990, 105).
Datum circa 500 - circa 480 BC (late Archaic)
Medium terracotta
medium QS:P186,Q60424
Dimensions Altitudo: 41 cm; Diametros: 26.4 cm
dimensions QS:P2048,41U174728
dimensions QS:P2386,26.4U174728
institution QS:P195,Q210081
Accession number
48.2105
Place of creation Attica, Greece
Object history
  • St. Audries Collection [date and mode of acquisition unknown]
  • Sale, Sotheby's, February 23, 1920, no. 230
  • William Randolph Hearst, San Simeon [date and mode of acquisition unknown]
  • William Randolph Hearst Estate Sale, May 1958
  • Walters Art Museum, 1958, by purchase
Exhibition history Heroes: Mortals and Myths in Ancient Greece. The Walters Art Museum, Baltimore; Frist Center for the Visual Arts, Nashville; San Diego Museum Of Art, San Diego; Alexander S. Onassis Public Benefit Foundation (USA), New York. 2009-2011.
Credit line Museum purchase, 1958
Fons Walters Art Museum: Home page  Info about artwork
Permissio
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recentissima04:57, 24 Martii 2012Minutum speculum redactionis 04:57, 24 Martii 2012 factae1 800 × 1 304 (1.74 megaocteti)File Upload Bot (Kaldari)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = Vatican G 23 Group (Greek, ca. 500-480 BC) |title = ''Black-figure Pseudo-Panathenaic Amphora'' |description = {{en|On side A, Athena is striding to the left with a...

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