Aviva Rahmani, alumna Instituti Artium Californiensis, Civitatum Foederatarum incola, est artifex oecologica cuius publica et oecologica artis proposita interdisciplinarios conlaborativosque scientistarum, designatorum, environmentalistas, et aliorum artificium communium greges implicaverunt.[1][2][3][4] Inter sua proposita sunt totae scaenae terrestres refectae et exhibitiones in museis quae ad picturam, sonum, et photographiam spectant.[5][6]

Propositum Saxa Caerulea (2002) aestuarium degener in Insula Vinalhaven Cenomannicae vehementius dixit. Quo facto, USDA plus quam $500 000 concessit ad reficiendos viginti sex agros uliginosos. Photographema ab Aviva Rahmani factum.

Inter prima auctoritates in suum opus fuerunt studia classica interdisciplinaris in Universitate Novi Eboraci, activismus cum Bread and Puppet Theatre, opus designationis urbanae in Comitatu Didacopolis decennio sub 1980 et Vinalhaven Insula Cenomanniae decennio sub 1990, et scientia cum aesthetica mixta.[7][8]

  1. Mrill Ingram, "Sculpting Solutions," Environment Magazine, Iulio-Augusto 2012.
  2. Barbara J. Love et Nancy F. Cott, Feminists Who Changed America, 1963–1975 (Sicagi: University of Illinois Press, 2006).
  3. "Aviva Rahmani," Women's Environmental Artists Directory (WEAD).
  4. Dagney Ernest, "Rahmani opens, premiers in New York," The Herald Gazette, 23 Octobris 2010.
  5. Beth Carruthers, Mapping the Terrain of Contemporary EcoART Practice and Collaboration (Green Museum, 2006).
  6. Ian Garret, "Desecration/ Resurrection New Video Work by Aviva Rahmani," CSPA Quarterly 2010 (aetas): 28.
  7. Sacha Kagan, Art and Sustainability: Connecting Patterns for a Culture of Complexity (Bielefeld Germaniae: Transcript Verlag, 2011).
  8. Suzaan Boettger, "Global Warnings," Art in America Iunio/Iulio 2008:161, 206.

Nexus interni

 
David's face

Haec stipula ad biographiam spectat. Amplifica, si potes!