Emendatio ex 16:41, 4 Iunii 2008 recensere Rafaelgarcia (disputatio \| conlationes) Magistratus 22 242 edits No edit summary ← Differentia superior		Emendatio ex 13:32, 11 Iunii 2008 recensere abrogare Rafaelgarcia (disputatio \| conlationes) Magistratus 22 242 edits No edit summary Differentia proxima →
Linea 3: '''Bellae artes''' dicuntur parvus numerus [[ars\|artium]] [[ars visualis\|visualum]] [[ars specularis\|spectacularumque]], apud quem [[ars scaenica]], [[saltatio]], [[cantio]], [[musica]], [[pictura]], [[sculptura]], et [[architectura]] numerantur. Bellae artes sunt speciales quod talis artis propositum invenitur in [[Pulchritudo\|pulchritudine]] artis ipsae, id est ars est causa finalis eius ipsae, non alia res. Saepe igitur multae [[litterae]], sicut [[poësis\|poëses]] [[drama]]ticae et [[Poësis lyrica\|lyricae]] pulchritudinis finem habentes, quoque inter bellas artes numerantur. Usque hodie hoc termino insigniter utuntur multae scholae, instituta, et aliae societates cuius fines sunt cultivare in artibus elegantibus perspectivas classicas et mores tralaticios. Multi autem termino utuntur ad quamque artem indicandam, quam ~~quisdam~~ artifex summa arte tractat. Exempli gratia homines audiri potest de athleta pedilusore Pele dicentes ''Pele vere pediludium ad sublimitatem artium bellarum sustulit.'' <!-- artificium = craft The word "fine" does not so much denote the quality of the artwork in question, but the purity of the discipline. This definition tends to exclude visual art forms that could be considered craftwork or applied art, such as textiles. The more recent term visual arts is widely considered to be a more inclusive and descriptive phrase for today's variety of current art practices, and for the multitude of media in which high art is now more widely recognized to occur. Ultimately, the term fine in 'fine art' comes from the concept of final cause, or purpose, or end, in the philosophy of Aristotle. The final cause of fine art is the art object itself; it is not a means to another end except perhaps to please those who behold it. The term is still often used outside of the arts to denote when someone has perfected an activity to a very high level of skill. For example, one might metaphorically say that "Pelé took football to the level of a fine art." That fine art is seen as being distinct from applied arts is largely the result of an issue raised in Britain by the conflict between the followers of the Arts and Crafts Movement, including William Morris, and the early modernists, including Virginia Woolf and the Bloomsbury Group. The former sought to bring socialist principles to bear on the arts by including the more commonplace crafts of the masses within the realm of the arts, while the modernists sought to keep artistic endeavor as exclusive and esoteric.

Quantum redactiones paginae "Bellae artes" differant