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Anno [[1813]] exeunte, a Stadtkonvikt discessit, domumque rediit ut in Normalhauptschule operam daret ut [[schola|magister]] fieret. [[1814|Proximo anno]] in scholam patriam ut magister discipulorum minimorum ingressus est, ubi plus quam duo annos operam servilem<!--drudgery--> patiebatur, quam frustra perfungebatur.<ref name="Duncan13">[[#Duncan|Duncan (1905)]], 13–14.</ref> Aliae autem exspectationes compensationibus erant. Imprimis [[Antonius Salieri|Salieri]] privatim audiebat, qui musicam Schubert exercitationem plus quam alii magistri adiuvit. Schubert sua studia cum Salieri anno [[1817]] confecit.<ref name="Duncan9"/>
Anno [[1814]], Schubert in [[Theresa Grob|Theresam Grob]] incidit, [[supranus|supranum]] et filiam opificis [[sericum|vestium sericarum]] loci. [[Duo]] composuit pro eius voce carmina (''Salve Regina'' et ''Tantum Ergo''), et ea in prima perfunctione eius primae missae (D. 105) mense Septembre<ref>Erich Benedikt, "Notizen zu Schuberts Messen: Mit neuem Uraufführungsdatum der Messe in F-Dur," ''Österreichische Musikzeitschrift'' 52(1-2/1997):64.</ref> [[1814]] perfuncta est.<ref name="Duncan13"/> Schubert eam in [[matrimonium]] ducere habuit, sed ei obstitit [[lex]] nuptialis<!-- marriage consent law--> anni [[1815]],<ref name="SteblinMarry">[[#SteblinCM|Steblin]]</ref> quae sponsum poposcit monstrare se [[familia]]m [[pecunia]] sustinere posse.<ref name="GibbsLife39">[[#GibbsLife|Gibbs (2000)]], 39.</ref> Novembre [[1816]], loco optato [[Aemona]]e in [[urbs|urbe]] non impetrato, Schubert Henrico fratri Theresae congeriem carminum misit, quae familia usque ad [[saeculum 20|saeculum vicensimum]] retinuit.<ref name="Newbould64">[[#Newbould|Newbould (1999)]], 64.</ref
[[Unus]] ex uberrimis annis Schubertianis fuit [[1815]], cum plus quam 20 000 [[mensura (musica)|mensuras]]<!--bars--> musicae componeret, quarum plus quam dimidium pro [[orchestra]] fuerunt, inter quas [[novem]] opera ecclesiastica, una [[symphonia]], et circa 140 [[Lied]]er.<ref name="Newbould40">[[#Newbould|Newbould (1999)]], 40.</ref> Eodem anno, in [[Anselmus Hüttenbrenner|Anselmum Hüttenbrenner]] et [[Franciscus von Schober|Franciscum von Schober]] incidit, qui ipso vivo amici perpetuo fuerint. [[Ioannes Mayrhofer]], alius amicus, ei a Spaun [[1814]] commendatus est.<ref name="CambridgeCompanion108">[[#CambridgeCompanion|Gibbs (1997)]], 108.</ref> [[Maynard Solomon]], [[musicologia|musicologus]] [[Civitates Foederatae|Americanus]], subiecit viros ad se Schubert amatorie attraxisse,<ref>Maynard Solomon, "Franz Schubert and the peacocks of [[Benvenuto Cellini]], ''19th-Century Music'' 12(1989):193–206.</ref> sed alii eruditi hanc propositionem summo studio reiecerunt.<ref>"Schubert: Music, Sexuality, Culture," ''19th-Century Music'' 17(1993):3–101.</ref> [[Rita Steblin]], [[musicologia|musicologa]] et [[mulier]] rerum Schubertianarum perita, adseruit eum "mulieres venari."<ref>Rita Steblin, "The Peacock's Tale: Schubert's Sexuality Reconsidered," ''19th-Century Music'' 17(1993):5–33; Rita Steblin, ''Babette und Therese Kunz: neue Forschungen zum Freundeskreis um Franz Schubert und Leopold Kupelwieser'' (Vindobonae: Vom Pasqualatihaus, 1996), ISBN/ISMN: 3901254161; Rita Steblin, "Schubert’s 'Nina' and the True Peacocks," ''The Musical Times'' 138(1997):13–19; Rita Steblin, ''Die Unsinnsgesellschaft: Franz Schubert, Leopold Kupelwieser und ihr Freundeskreis'' (Böhlau, 1998), ISBN 3205988205; Rita Steblin, "Schubert’s Problematic Relationship with Johann Mayrhofer: New Documentary Evidence," in ''Essays on Music and Culture in Honor of Herbert Kellman,'' ed. Barbara Haggh (Lutetiae: Minerve, 2001), 465–495; Rita Steblin, "Schubert’s Pepi: His Love Affair with the Chambermaid Josepha Pöcklhofer and Her Surprising Fate," ''The Musical Times'' (2008):47–69.</ref>
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