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Linea 1: [[Fasciculus:Accompaniment Mozart.png\|thumb\|375px\|Usitatum adiunctionis exemplar in [[concertus\|concerto]] vel [[aria (musica)\|aria]] ~~Mozart~~Mozartiana. {{audio\|Accompaniment_Mozart.mid\|Play}}]] [[Fasciculus:NOT Travis picking.PNG\|thumb\|225\|Travis picking.{{dubsig}}<ref>Happy Traum, ''Fingerpicking Styles for Guitar'' (Oak Publications, 1974), 12. ISBN 0-8256-0005-7. Hardcover (2005): ISBN 0-8256-0343-9.</ref> {{audio\|NOT Travis picking.mid\|Play}}]] [[Fasciculus:Mozart k545 opening.svg\|thumb\|150px\|Initium ''Sonata pro Clavile, K. 545'' Wolfgangi Amadei Mozart. {{audio\|Mozart k545 opening.mid\|Play}}]] '''Adiunctio,'''<ref>Latinitate classica; "accompaniment . . . in music, ''adiunctio fidium voci.''" D. P. Simpson, ed., ''Cassell's Latin Dictionary,'' ed. 5a (Novi Eboraci: Wiley Publishing, 1968), p. 652).</ref> vel Latinitate recentiore '''comitatus'''<ref>Saeculo 19; HELF., in ~~Morgan (~~[http://facweb.furman.edu/~dmorgan/lexicon/silva.htm) Morgan].</ref> sive '''concentus instrumentalis,'''<ref>Eichenseer in ~~Morgan (~~[http://facweb.furman.edu/~dmorgan/lexicon/silva.htm) Morgan].</ref> in [[musica]] est [[ars]] [[canticum\|solitario]]<!--soloist--> [[instrumentum musicum\|instrumentali]] vel [[vox\|vocali]] sive [[grex musicus\|gregi musico]] concinendi, saepe [[ductus\|ductui]]<!--Anglice 'lead'--> appellato, modo sustinendo. Adiunctio ab exsecutore singulo ([[clavile\|clavicene]], [[organum tubulatum\|organario]], [[cithara\|citharista]]) vel a grege integro—[[orchestra symphonica]] sive [[quadricinium fidium\|quadricinio fidium]]<!--Latine aetatis aureae: concentus quattuor fidium. Sed revera?--> (in genere [[musica classica\|classico]]) sive [[grex favens\|grege faventi]]<!--backing band--> sive [[sectio rhythmica\|sectione rhythmica]]<!--rhythm section--> (in [[musica popularis\|musica populari]]) sive [[magnus grex\|magno grege]]<!--big band--> sive [[concentus trium organorum\|concentu trium organorum]]<!--organ trio [revera?] ~ fortasse Latine recentiori: tricinium organorum--> (in [[iaz]])—confieri potest. Adiunctio haberi potest '''scaena,''' vel parte postica<!--background-->, qua [[melodia]] in parte antica<!--foreground--> fulcitur. [[Verbum (grammatica generalis)\|Verbum]] ''adiunctio'' etiam adhiberi potest ad describendam musicam compositam, dispositionem,<!--arrangement--> vel confectionem [[improvisio\|improvisam]] quae solitarium sustinet. In plurimis modis classicis, pars adiunctionis a [[compositor]]e praeparata exsecutoribus [[partitura]] datur; sed tamen in [[iaz]] et quibusdam generibus [[musica popularis\|musicae popularis]], grex favens vel sectio rhythmica adiunctionem secundum exemplaribus quotidianis ex tempore componere potest—in casu parvi gregis [[blues\|caerulei]] vel gregis iazzici qui [[progressus caerulea\|progressum caeruleum]] [[mensura]]rum [[duodecim]]<!--12-bar blues progression--> canit—vel musici in magno grege iazzico, vel in spectaculo [[theatrum musicum\|theatri musici]],<!--musical th.--> ex dispositione<!--arrangement--> scripta canere possunt.<!--PLUS IN EN:--> Ceterum '''adiunctor''' sive '''succentor''' est qui adiunctionem musicam agat. Nonnulli [[clavile\|clavicenes]]{{dubsig}}<!--pianists--> [[musica classica Europaea\|classici]] clari adiunctores facti sunt, non solitarii<!--soloists-->; quorum clarissimus a nonnullis [[Geraldus Moore]] existimatur, adiunctor [[carmen\|carminum]] [[genus musicum\|generis]] [[Lied]]er bene notus. In quibusdam [[schola\|scholis]] vel [[conservatorium\|conservatoriis]] in [[Civitates Foederatae\|Civitatibus Foederatis]], nomen ''clavicen conlaborativus'' (Anglice ''collaborative pianist'') vel ''artifex conlaborativus'' in locum nominis ''adiunctoris'' substituitur.<!--PLUS IN EN:--> ==Vide etiam==

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