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[[Fasciculus:Teleharmonium1897.jpg|thumb|[[Telharmonium]], a [[Thaddeus Cahill|Thaddeo Cahill]] anno [[1897]] excogitatum.]]
[[Fasciculus:Stockhausen 1991 Studio.jpg|thumb|[[Karlheinz Stockhausen]] in Electronic Music Studio stationis WDR, [[Colonia Agrippina|Coloniae Agrippinae]], anno [[1991]].]]
[[Fasciculus:Josef Tal at the Electronic Music Studio.jpg|thumb|[[Iosephus Tal]], [[compositor]] Israeliticus, in Electronic Music Studio [[Hierosolyma]]te (circa [[1965]]). Dextra, [[synthesizator]] sonorum ''Special Purpose Tape Recorder,'' a [[Hugh Le Caine]] excogitatus.]]
[[Fasciculus: Keith Emerson StPetersburg Aug08.jpg |thumb|[[Keith Emerson]] [[Petropolis|Petropole]] anno [[2008]] perfungitur.]]
[[Fasciculus:Qlimax 2008-11-22.JPG|thumb|[[Qlimax]], magna musicae electroniae res quae in [[Nederlandia]] quotannis fit, [[hardstyle]] musicae electronicae subgenus celebrans.]]
[[Fasciculus:Bending.jpg|thumb|Musicus <!--+using a jeweler's screwdriver and--> adligatoribus comprimentibus<!--alligator clips--> "flexus" scrutatur.]]
'''Musica electronica''' est [[musica]] quae [[instrumentum musicum electronicum|instrumenta musica electronica]] et [[technologia musica|technologiam musicam]] [[electronica]]m in eius productione adhibet. Distinctio inter [[sonus|sonum]] ratione electromechanica effecta et sonum technologia electronica effecta ad summam fieri potest.<ref name="holmes3">"The stuff of electronic music is electrically produced or modified sounds. . . . Two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ({{harvnb|Holmes|2002|p=6}}).</ref> Inter exempla machinarum quae sonum electromechanicum generant sunt [[telharmonium]], [[organum Hammond]], et [[cithara electrica]]. Generatio sonorum prorsus electronicorum ex machinis sicut [[Theremin]], [[synthesizator|synthesizator sonorum]], et [[computatrum]] obtineri potest.<ref name="holmes1"> "Electroacoustic music uses electronics to modify sounds from the natural world. The entire spectrum of worldly sounds provides the source material for this music. This is the domain of microphones, tape recorders and digital samplers . . . can be associated with live or recorded music. During live performances, natural sounds are modified in real time using electronics. The source of the sound can be anything from ambient noise to live musicians playing conventional instruments" ({{harvnb|Holmes|2002|p=8}}).</ref>
Musica electronica olim cum [[musica artificiosa]]<!--art music--> Occidentali paene omnino propria consociata est, sed a [[decennium 197|decennio 197]] exeunte, technologiam musicam bene emere significavit musicam ratione electronica generatam magis et magis usitatam in dominio [[musica popularis|musicae popularis]] factam esse.<ref>"Electronically produced music is part of the mainstream of popular culture. Musical concepts that were once considered radical—the use of environmental sounds, ambient music, turntable music, digital sampling, computer music, the electronic modification of acoustic sounds, and music made from fragments of speech-have now been subsumed by many kinds of popular music. Record store genres including new age, rap, hip-hop, electronica, techno, jazz, and popular song all rely heavily on production values and techniques that originated with classic electronic music" ({{harvnb|Holmes|2002|p=1}}). "By the 1990s, electronic music had penetrated every corner of musical life. It extended from ethereal sound-waves played by esoteric experimenters to the thumping syncopation that accompanies every pop record" ({{harvnb|Lebrecht|1996|p=106}}).</ref> Hodie, musica electronica multas comprehendit varietates et genera, a musica artificiosa experimentorum ad genera popularia sicut [[musica saltationis electronica]].
==Genera==<!--Ex commentarius priore:-->
Saepe musica electronica et [[musica technica|musica technica]] exaequantur, sed haec solum partem musicae electronicae. Interea species plurimae sunt; hae sunt maximae vulgatissimaeque:
*[[House]]
*[[Musica industrialis]]
*[[Musica technica]]
*[[Musica technica acida]]
*[[Musica technica cordis duri]]<!--Calque mirabile!!!-->
*[[Musica technica dura]]
*[[Saltatio]]
*[[Trance]]
==Vide etiam==
*[[Audium (theatrum)]]
*[[Beaver & Krause]]
*[[Clavioline]]
*[[Installatio sonica]]
*[[Musica industrialis]]
*[[Musica spectralis]]
*[[Ondioline]]
*[[Pompa Amoris]]
*[[Sackbut electronicum]]
*[[Sculptura sonica]]<!-- + [[New Interfaces for Musical Expression]] + [[Tracker music]] -->
==Notae==
<div class="references-small"><references/></div>
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* {{citation |last=Vercoe |first=Barry |year=2000 |authorlink=Barry Vercoe |chapter=Forward |title=The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming |others=edited by Richard Boulanger |pages=xxvii–xxx |location=Cambridge, Mass. |publisher=MIT Press |isbn=0-2625-2261-6 |chapterurl=http://www.csounds.com/vercoe/index.html#HISTORY }}.
* {{citation |last=Vine |first=Richard |year=2011 |title=Tadao Kikumoto Invents the Roland TB-303 |newspaper=The Guardian |issue=14 June |url=http://www.guardian.co.uk/music/2011/jun/15/tadao-kikumoto-roland |accessdate=23 December 2011 |location=Londinii |date=15 June 2011}}
* {{citation |last=Watson |first=Scott |year=2005 |title=A Return to Modernism |journal=Music Education Technology Magazine |issue=February |url=http://metmagazine.com/mag/return_modernism}}.
* {{citation |last=Weidenaar |first=Reynold |year=1995 |title=Magic Music from the Telharmonium: The Story of the First Music Synthesizer |location=Metuchen, Novae Caesareae |publisher=Scarecrow Press, Inc. |isbn=0-8108-2692-5}}.
* {{citation |last=Yabsley |first=Alex |year=2007 |title=Back to the 8 Bit: A Study of Electronic Music Counter-Culture |publisher=Gamemusic4all.com |issue=February 3 |url=http://www.gamemusic4all.com/backto8bit%204.html |accessdate=5 June 2011 }}
* {{citation |last=Zimmer |first=Dave |year=2000 |title=Crosby, Stills and Nash: The Authorized Biography |others=Photography by Henry Diltz |location=Novi Eboraci |publisher=Da Capo Press. |isbn=0-306-80974-5}}
* {{citation |last=Zussman |first=John Unger |year=1982 |title=Jazzing It Up at the NCC: Hancock and Apple II Make Music Together |journal=InfoWorld |volume=4 |issue=26 (5 July) |pages=1, 5 |url=http://books.google.de/books?id=MjAEAAAAMBAJ&lpg=PA1&dq=patrick%20gleeson%20synthesizer&pg=PA1#v=onepage&q=patrick%20gleeson%20synthesizer&f=false}}
==Bibliographia addita==
* {{citation |last1=Bogdanov |first1=Vladimir |editor=Chris Woodstra, Stephen Thomas Erlewine, et John Bush |year=2001 |title=The All Music Guide to Electronica: The Definitive Guide to Electronic Music |series=AMG Allmusic Series |location=San Francisco |publisher=Backbeat Books |isbn=0-87930-628-9}}
* {{citation |last=Cummins |first=James |year=2008 |title=Ambrosia: About a Culture: An Investigation of Electronica Music and Party Culture |location=Toronto, ON |publisher=Clark-Nova Books |isbn=978-0-9784892-1-2}}
* {{citation |editor1-last=Heifetz |editor1-first=Robin J. | year=1989 |title=On The Wires of Our Nerves: The Art of Electroacoustic Music |location=Cranbury, NJ |publisher=Associated University Presses |isbn=0-8387-5155-5}}
* {{citation |last=Kahn |first=Douglas |year=1999 |authorlink=Douglas Kahn |title=Noise, Water, Meat: A History of Sound in the Arts |location=Cambridge, MA |publisher=MIT Press |id=New edition 2001, |isbn=0-262-11243-4}}
* {{citation |last=Kettlewell |first=Ben |year=2001 |title=Electronic Music Pioneers |location=[N.p.] |publisher=Course Technology, Inc. |isbn=1-931140-17-0}}
* {{citation |editor1-last=Licata |editor1-first=Thomas <!-- (ed.) --> |year=2002 |title=Electroacoustic Music: Analytical Perspectives |location=Westport, CT |publisher=Greenwood Press |isbn=0-313-31420-9}}
* {{citation |last=Manning |first=Peter |year=2004 |title=Electronic and Computer Music |edition=Revised and expanded |location=Oxoniae et Novi Eboraci |publisher=Oxford University Press |id=(cloth) (pbk) |isbn=0-19-514484-8}}
* {{citation |last=Prendergast |first=Mark |year=2001 |title=The Ambient Century: From Mahler to Trance: The Evolution of Sound in the Electronic Age |location=Novi Eboraci |others=Forward [''sic''] by Brian Eno. |publisher=Bloomsbury |id=(hardcover eds.) ISBN 1-58234-323-3 (paper) |isbn=0-7475-4213-9,}}.
* {{citation |last=Reynolds |first=Simon |year=1998 |title=Energy Flash: A Journey Through Rave Music and Dance Culture |location=Londinii |publisher=Pan Macmillan |isbn=0-330-35056-0}} (US title, {{citation |title=Generation Ecstasy: Into the World of Techno and Rave Culture |others=Boston: Little, Brown, 1998 ISBN 0316741116; Novi Eboraci: Routledge, 1999 ISBN 0-415-92373-5}})
* {{citation |last=Schaefer |first=John |year=1987 |title=New Sounds: A Listener's Guide to New Music |location=Novi Eboraci |publisher=Harper Collins |isbn=0-06-097081-2}}
* {{citation |last=Shanken |first=Edward A. |year=2009 |authorlink=Edward A. Shanken |title=Art and Electronic Media |location=Londinii |publisher=Phaidon |isbn=978-0-7148-4782-5}}
* {{citation |editor1-last=Shapiro |editor1-first=Peter <!-- (editor) --> |year=2000 |title=Modulations: a History of Electronic Music: Throbbing Words on Sound |location=Novi Eboraci |publisher=Caipirinha Productions |isbn=1-891024-06-X}}
* {{citation |last=Sicko |first=Dan |year=1999 |title=Techno Rebels: The Renegades of Electronic Funk |location=Novi Eboraci |publisher=Billboard Books |isbn=0-8230-8428-0}}
* {{citation |last=Wells |first=Thomas |year=1981 |authorlink=Thomas Wells (composer) |title=The Technique of Electronic Music |publisher=Novi Eboraci Schirmer Books; Londinii: Collier Macmillan |isbn=978-0028728308}}
==Nexus externi==
{{Wikiquote}}
*[http://artofthestates.org/cgi-bin/genresearch.pl?genre=electronic Ars Civitatum: Electronica,] apud artofthestates.org (parva operum electronicorum compositorum Civitatum Foederatarum conlectio
*[http://www.cs.mu.oz.au/csirac/music "The Computation Laboratory at the University of Melbourne's Dept of Computer Science and Software Engineering,"] apud www.cs.mu.oz.au (CSIRAC)
*[http://www.obsolete.com/120_years Historia instrumentorum musicae electronicae]
*[http://music.columbia.edu/cmc Sedes Musica Computatrorum,] apud music.columbia.edu
*[http://www.emf.org Societas Fundata Musicae Electronicae,] apud www.emf.org
*[http://www.doornbusch.net/chronology Temporum ordo computatrorum et musicae electronicae]
*[http://www.music.psu.edu/Faculty%20Pages/Ballora/INART55/timeline.html Temporum ordo musicae electronicae] apud www.music.psu.edu
[[Categoria:Musica]]
[[Categoria:Musica electronica|*]]
[[Categoria:1000 paginae]]
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