Vicipaedia

Fasciculus:Portrait of Shah Tahmasp I. Inscribed "Tammas Pers". Painted by Cristofano dell'Altissimo, dated 1552-1568.jpg

Portrait_of_Shah_Tahmasp_I._Inscribed_"Tammas_Pers"._Painted_by_Cristofano_dell'Altissimo,_dated_1552-1568.jpg ‎(399 × 480 elementa imaginalia, magnitudo fasciculi: 100 chiliocteti, typus MIME: image/jpeg)

Hic fasciculus apud Vicimedia Communia iacet; in aliis inceptis adhiberi potest. Contenta paginae descriptionis fasciculi subter monstrantur.

Summarium

Descriptio

Portrait of Shah Tahmasp I, painted by Cristofano Dell'Altissimo between 1552 and 1568.

Panel/oil painting.

Inscribed "Tammas Pers". (Tanavoli, Parviz (2015). European Women in Persian Houses: Western Images in Safavid and Qajar Iran. I.B. Tauris. p. 18. ISBN 978-1838608484.)

Housed at the Galleria degli Uffizi, Florence.

The idea of a universal gallery made up of portraits of illustrious men was thanks to Cosimo I de' Medici. In 1552, the duke of Tuscany sent the painter Cristofano dell'Altissimo to Como to copy the collection of portraits of illustrious men that the learned bishop Paolo Giovio, who had recently died in Florence, had collected in his villa on the lake from 1521. It was a very rare collection, the most important of its kind, both for the presence of numerous splendid originals and for the large number of subjects. Copies were sent from Como in groups from 1552 to 1587/89, so much so that Vasari, in the second edition of the "Lives" (1568), lists 280 portraits already present in Florence. In the meantime, Vasari himself had set up for Cosimo, in Palazzo Vecchio, a room annexed to the rooms of the Guardaroba, the so-called room of the Globe or of the geographical maps, destined to welcome in a particularly worthy setting also the collection of portraits of illustrious men who hand was forming. The program so loved by Cosimo I did not bear fruit with the new Grand Duke Francesco, while it resumed immediately and in full with the accession to the throne of Ferdinand I. Between 1587, the initial year of his government, and 1591 he arranged for the transfer collection of portraits in the corridor of the Uffizi; in 1597 the diplomatic traveler and writer from Vicenza Filippo Pigafetta rearranged the collection according to the "dignities and professions" and highlighted the most serious gaps in order to then complete and update the whole series. The Giovian collection was continued until 1840, today it has 492 pieces and is extraordinarily important from a historical-iconographic, if not stylistic, point of view. The portrait in question, mentioned in Vasari's list of 1568, depicts Tammas Sophy, king of Persia, who lived in the 16th century.
Datum 1552 - 1568
date QS:P,+1550-00-00T00:00:00Z/7,P1319,+1552-00-00T00:00:00Z/9,P1326,+1568-00-00T00:00:00Z/9
Fons https://catalogo.uffizi.it/it/29/ricerca/detailiccd/1187798/
Auctor
Cristofano dell'Altissimo  (1500–1605)  wikidata:Q5186477
 
Descriptio Italian pictor
Dies natalis/mortis 1500 Edit this at Wikidata 21 September 1605 Edit this at Wikidata
Locus natalis/mortis Florentia Florentia
Work location
Florentia Edit this at Wikidata
Authority file
creator QS:P170,Q5186477

Potestas usoris

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Captions

Add a one-line explanation of what this file represents

Items portrayed in this file

depicts Anglica

rex

media type Anglica

image/jpeg

Historia fasciculi

Presso die vel tempore fasciculum videbis, sicut tunc temporis apparuit.

Dies/TempusMinutioDimensionesUsorSententia
recentissima09:44, 20 Ianuarii 2015Minutum speculum redactionis 09:44, 20 Ianuarii 2015 factae399 × 480 (100 chiliocteti)Sefer azerimore quality
20:42, 9 Septembris 2012Minutum speculum redactionis 20:42, 9 Septembris 2012 factae238 × 306 (8 chiliocteti)Osmanlı98Resmin aslı
08:40, 25 Iulii 2010Minutum speculum redactionis 08:40, 25 Iulii 2010 factae300 × 391 (22 chiliocteti)QizilbashUploaded the version from [http://www.shahbazi.org/pages/moscovy7.htm Official website of Abdollah Shahbazi].
12:40, 20 Iulii 2010Minutum speculum redactionis 12:40, 20 Iulii 2010 factae450 × 587 (53 chiliocteti)Qizilbash{{Information |Description={{en|1=Portrait of Shāh Tahmāsp I (1513-1576) (though the source page erroneously ascribe it to Tahmāsp II).}} |Source=[http://homepage.mac.com/zahedi/Zahedi_History/PhotoAlbum64.html Zahedi - The Safavids] |Author=Probably E

Ad hunc fasciculum nectit:

Usus fasciculi per inceptus Vicimediorum

Quae incepta Vici fasciculo utuntur:

View more global usage of this file.

Metadata

Hic fasciculus alias res continet, saepius a machina originatore additas, et (si fasciculus postea recensus sit) fortasse corrigendas.

Receptum de "https://la.wikipedia.org/wiki/Fasciculus:Portrait_of_Shah_Tahmasp_I._Inscribed_%22Tammas_Pers%22._Painted_by_Cristofano_dell%27Altissimo,_dated_1552-1568.jpg"