Quantum redactiones paginae "Hiphop" differant
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'''Hip hop''' est [[motus culturalis]] qui [[Novum Eboracum (urbs)|Novi Eboraci]] annis 1970 ineuntibus, praecipue inter [[Americani Africani|Americanos Africanos]] et [[Americani Latini|Americanos Latinos]], evolvit (Chang 2005; Harris & Penn 2008:111).<!-- Hip hop's four main elements are MCing (often called [[rapping]]), [[Disk jockey|DJing]], [[Graffiti#Graffiti as an element of hip hop|graffiti writing]], and [[breakdancing]]. Other elements include [[beatboxing]], [[hip hop fashion]], and [[slang]]. Since first emerging in the [[Bronx]], the lifestyle of hip hop culture has spread around the world. . . . genus [[musica|musicae]] cuius vis est [[homoeoteleuton]] et lusus verborum.-->
==Bibliographia==
*Ahearn, Charlie, et Jim Fricke, eds. [[2002]]. ''Yes Yes Y'All: The Experience Music Project Oral History of Hip Hop's First Decade.'' Novi Eboraci: Da Capo Press. ISBN 0306811847.
*Campbell, Clive, et Jeff Chang. [[2005]]. ''Can't Stop Won't Stop: A History of the Hip-Hop Generation.'' Novi Eboraci: Picador. ISBN 0312425791.
*[http://www.foreignpolicy.com/story/cms.php?story_id=3994 Chang, Jeff. [[2007]]."It's a Hip-hop World." ''Foreign Policy'' (163, November–December):58–65.]
*Corvino, Daniel, et Shawn Livernoche. [[2000]]. ''A Brief History of Rhyme and Bass: Growing Up With Hip Hop.'' Tinici Pennsilvaniae: Xlibris Corporation. ISBN 1401028519.
*Diawara, Manthia. [[1998]]. ''In Search of Africa.'' Cantabrigiae: Harvard University Press. ISBN 0674446119.
*Gordon, Lewis R. [[2005]]. "The Problem of Maturity in Hip Hop." ''Review of Education, Pedagogy and Cultural Studies'' 27(4):367–389, doi:10.1080/10714410500339020.
*Kelly, Robin D. G. [[1994]]. ''Race Rebels: Culture, Politics, and the Black Working Class.'' Novi Eboraci: Free Press. ISBN 0684826399.
*Kitwana, Bakari. [[2002]]. ''The Hip-Hop Generation: Young Blacks and the Crisis in African American Culture.'' Novi Eboraci: Perseus Books Group. ISBN 0465029795.
*Kitwana, Bakari. [[2005]]. ''Why White Kids Love Hip Hop: Wankstas, Wiggers, Wannabes and the New Reality of Race in America.'' Novi Eboraci: Basic Civitas Books. ISBN 0465037461.
*Kolbowski, Silvia. [[1998]]. "Homeboy Cosmopolitan." ''October'' (83):51.<!--Something seems wrong with this ref in en:-->
*Light, Alan, ed. [[1999]]. ''The VIBE History of Hip-Hop.'' Novi Eboraci: Three Rivers Press. ISBN 0609805037.
*[http://kembrew.com/documents/Publications-pdfs/McLeod-Authenticity.pdf McLeod, Kembrew. [[1999]]. "Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation" ''Journal of Communication'' 49(4):134–150.]
*Nelson, George. [[2005]]. ''Hip-Hop America.'' Ed. 2a. St. Louis: Penguin Books. ISBN 0140280227.
*Ogbar, Jeffrey O. G. [[2007]]. ''Hip-Hop Revolution: The Culture and Politics of Rap.'' Laurentiae Kansiae: University Press of Kansas. ISBN 9780700615476.
*Perkins, William E. [[1995]]. ''Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture.'' Philadelphiae: Temple University Press. ISBN 1566393620.
*Ro, Ronin. [[2001]]. ''Bad Boy: The Influence of Sean "Puffy" Combs on the Music Industry.'' Novi Eboraci: Pocket Books. ISBN 0743428234.
*Rose, Tricia. [[1994]]. ''Black Noise: Rap Music and Black Culture in Contemporary America.'' Middletown Connectictae: Wesleyan University Press. ISBN 0819562750.
*Shapiro, Peter. [[2007]]. ''Rough Guide to Hip Hop.'' Ed. 2a. Londinii: Rough Guides. ISBN 1843532638.
*Steingo, Gavin. [[2005]]. "South African Music after Apartheid: Kwaito, the 'Party Politic,' and the Appropriation of Gold as a Sign of Success." ''Popular Music and Society'' 28(3):333–357. doi:10.1080/03007760500105172.
*Toop, David. [[1991]]. ''Rap Attack 2: African Rap to Global Hip Hop.'' 2na ed. Novi Eboraci: Serpent's Tail. ISBN 1852422432.
[[Categoria:Cultura]]
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