Quantum redactiones paginae "La Bamba" differant

'''"La Bamba"''' est carmen plebeium de [[Veracrux|Veracruce]] in [[Mexicum|Mexico]], unum ex notissimis carminibus Mexicanis. Inter populos Mexicanos in [[CFA]], carmen favorem diu accepit, et annos [[1940]] in radio Americano[[America]]no interdum cantum est. Anno [[1958]], [[Ricardus Valenzuela]] (''Ricardo Valenzuela'' quoque ''Richie Valens'' appellatus), cantor Mexicano-americanus, carmen conversum rockicum disco mandavit. Mense Februario proximi anni, is, [[Buddy Holly]], et [[Big Bopper]] musicis in fragore aeroplanica perierunt. Anno [[1987]], grex Los Lobos carmen cecinit in ''[[La Bamba (pellicula|La Bamba]],'' [[pellicula]] de Valens vita, et suum discum eiusdem carminis factum est solum discum in lingua Hispanica quod summam musicae popularis cartam in CFA attigit.

ex en: However, versions (such as those by musical groups [[Mariachi Vargas de Tecalitlan]] and [[Los Pregoneros del Puerto]]) have survived due to the artists' popularity and have become the "definitive" versions. The traditional aspect of "La Bamba" lies in the tune itself, which remains the same through all versions. The name of the dance, which has no direct English translation, is presumably connected with the Spanish verb ''bambolear'', meaning "to shake", or perhaps "to stomp". A dissenting view holds that the dance originated in or near one of the towns named [[Bamba]] in [[Angola]] or the [[DR Congo]].

The traditional "La Bamba" was often played during weddings in [[Veracruz]], where the bride and groom performed the accompanying dance. Today this wedding tradition is mostly lost, but the dance survives through the popularity of ''[[ballet folklórico]]''. The dance is performed in much the same way, displaying the newlywed couple’s unity through the performance of complicated, delicate steps in unison as well as through creation of a bow from a ''[[listón]]'', a long red ribbon, using only their feet.

The "arriba" (literally "up") part of the song suggests the nature of the dance, in which the footwork, called "''zapateado''", is done faster and faster as the music tempo accelerates. The repeated lyric "''Yo no soy marinero''" ("Litlit: 'I am not a sailor"') refers to Veracruz's marine locale and the husband's promise that he will remain faithful to his wife.

*[http://www.mexconnect.com/mex_/travel/jcar/jcbamba.html "La Bamba" exposaexposita, vel musica VeracrucanaVeracruzensis]