Quantum redactiones paginae "Postimpressionismus" differant

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[[Vocabulum]] primum adhibitum est a [[Rogerius Fry|Rogerio Fry]], [[pictor]]e et critico [[Anglia|Anglico]], anno [[1906]], [[Anglice]] ''Post-Impressionism'' scribente.<ref name="brettell">[https://books.google.es/books?id=v5TcYXGDeI8C&pg=PA21&dq=%22the+term+Post-impressionism%22,+%221906%22&hl=en&sa=X&ved=0ahUKEwjIqYXYo8DMAhVLuhQKHROHBYAQ6AEIHDAA#v=onepage&q=%22the%20term%20Post-impressionism%22%2C%20%221906%22&f=false Richard R. Brettell, ''Modern Art, 1851-1929: Capitalism and Representation'' (Oxoniae" Oxford University Press, 1999), 21].</ref><ref name="Morrin et al">Peter Morrin, Judith Zilczer, et William C. Agee, ''The Advent of Modernism: Post-Impressionism and North American Art, 1900-1918'' (High Museum of Art, 1986).</ref> [[Franciscus Rutter]], [[diurnariorum ars|diurnarius]] et criticus Anglicus, in recognitione [[exhibitio]]nis [[Salon d'Automne]] in ''Art News'' die [[15 Octobris]] [[1910]] divulgata, [[Othon Friesz]] "ducem postimpressionisticum"<ref>[[Anglice]] "post-impressionist leader."</ref> appellavit; eodem tempore etiam erat [[praeconium mercatorium|praeconium]] exhibitionis ''The Post-Impressionists of France.''<ref name=bullen>Bullen 1988: 37.</ref>
 
Postimpressionistae [[Impressionismus|impressionismum]] extenderunt dum eius circumscriptiones reiciebant: [[color]]ibus autem vividis, adhibitionibus [[pigmentum|pigmentorum]] saepe crassorum, rebusque [[vita]]e [[realitas|verae]] iam utebantur, sed formas [[geometria|geometricas]] malle, formam ad effectum expressivum distorquere, coloresque non [[natura]]les vel adeo libidinosos adhibere magis solebant.
 
==Pinacotheca artificum postimpressionisticorum maximi momenti==
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*Fry, Roger. [[1912]]. ''The Second Post-Impressionist Exhibition.'' Catalogus exhibitionis. Londinii: Grafton Gals.
*House, John, et Mary Anne Stevens. [[1979]]. ''Post-Impressionism. Cross-Currents in European Painting.'' Londinii: Royal Academy of Arts & Weidenfeld and Nicolson. ISBN 0297777130.
*Rewald, John. [[1973]]. ''The history of impressionism.'' Ed. 4a. Novi Eboraci: Museum of Modern Art; Grenovice Connecticutae: distributed by New York Graphic Society. ISBN 0870703606
*Rewald, J. [[1956]], [[1978]]. ''Post-Impressionism: From Van Gogh to Gauguin.'' Novi Eboraci.
*Rewald, JJohn. (1956), [[19861978]]. ''Studies in Post-Impressionism: From Van Gogh to Gauguin.'' LondiniiNovi Eboraci.
*Rewald, John. [[1986]]. ''Studies in Post-Impressionism.'' Ed. Irene Gordon et Frances Weitzenhoffer. Novi Eboraci: H. N. Abrams. ISBN 0810916320.
*Thomson, B. [[1983]], [[1990]]. ''The Post-Impressionists.'' Editio retractata. Oxoniae et Novi Eboraci.