Quantum redactiones paginae "Musica electronica" differant

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[[Fasciculus:Teleharmonium1897.jpg|thumb|[[Telharmonium]], a [[Thaddeus Cahill|Thaddeo Cahill]] anno [[1897]] excogitatum.]]
[[Fasciculus:Halim El-Dabh2.jpg|thumb|175px|left|[[Halim El-Dabh]], primus [[musica taeniarum|musicae taeniarum]]<!--tape music--> [[electroacustica]]e compositor, in pompa [[Cleveland]] in [[urbs|urbe]] anno [[2009]] ambulat.]]
 
'''Musica electronica''' est [[musica]] quae [[instrumentum musicum electronicum|instrumenta musica electronica]] et [[technologia musica|technologiam musicam]] [[electronica]]m in eius productione adhibet. Distinctio inter [[sonus|sonum]] ratione electromechanica effecta et sonum technologia electronica effecta ad summam fieri potest.<ref name="holmes3">"The stuff of electronic music is electrically produced or modified sounds. . . . Two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ({{harvnb|Holmes|2002|p=6}}).</ref> Inter exempla [[machina]]rum quae sonum electromechanicum generant sunt [[telharmonium]], [[organum Hammond]], et [[cithara electrica]]. Generatio sonorum prorsus electronicorum ex machinis sicut [[Theremintheremin]], [[synthesizator|synthesizator sonorum]], et [[computatrum]] obtineri potest.<ref name="holmes1"> "Electroacoustic music uses electronics to modify sounds from the natural world. The entire spectrum of worldly sounds provides the source material for this music. This is the domain of microphones, tape recorders and digital samplers . . . can be associated with live or recorded music. During live performances, natural sounds are modified in real time using electronics. The source of the sound can be anything from ambient noise to live musicians playing conventional instruments" ({{harvnb|Holmes|2002|p=8}}).</ref>
 
Musica electronica olim cum [[musica artificiosa]]<!--art music--> Occidentali paene omnino propria consociata est, sed a [[decennium 197|decennio 197]] exeunte, technologiam musicam bene emere significavit musicam ratione electronica generatam magis et magis usitatam in dominio [[musica popularis|musicae popularis]] factam esse.<ref>"Electronically produced music is part of the mainstream of popular culture. Musical concepts that were once considered radical—the use of environmental sounds, ambient music, turntable music, digital sampling, computer music, the electronic modification of acoustic sounds, and music made from fragments of speech-have now been subsumed by many kinds of popular music. Record store genres including new age, rap, hip-hop, electronica, techno, jazz, and popular song all rely heavily on production values and techniques that originated with classic electronic music" ({{harvnb|Holmes|2002|p=1}}). "By the 1990s, electronic music had penetrated every corner of musical life. It extended from ethereal sound-waves played by esoteric experimenters to the thumping syncopation that accompanies every pop record" ({{harvnb|Lebrecht|1996|p=106}}).</ref> Hodie, musica electronica multas comprehendit varietates et genera, a musica artificiosa experimentorum ad genera popularia sicut [[musica saltationis electronica]].
 
== Origines: saeculo 19 exeunte ad saeculum 20 ineuns ==
Facultas sonorum perscribendorum<!--record sounds--> cum productione musicae electronicae saepe sed non necessarie conectitur. Prima machina sonorum perscribendorum nota fuit [[phonautographum]], anno [[1857]] ab [[Eduardus Leo Scott de Martinville|Eduardo Leone Scott de Martinville]] in tabulas diplomatum relatum<!--patented-->. Sonos [[oculus|oculis]]<!--visually--> capere, sed canere non poterat.<ref>{{harvnb|Rosen|2008}}.</ref>
[[Fasciculus:Halim El-Dabh2.jpg|thumb|175px|left|[[Halim El-Dabh]], primus [[musica taeniarum|musicae taeniarum]]<!--tape music--> [[electroacustica]]e compositor, in pompa [[Cleveland]] in [[urbs|urbe]] anno [[2009]] ambulat.]]
 
[[Thomas Alva Edison|Thomas Edison]] [[phonographum]] anno [[1878]] in tabulas diplomatum rettulit<!--patented-->, quod [[cylindrus|cylindris]] machinae [[Raymundus Scott|Raymundi Scott]] similes usum est. Quamquam cylindri diu in usu erant, [[Aemilius Berliner]] [[discophonum]] anno [[1887]] evolvit.<ref>{{harvnb|Russcol|1972|p=67}}.</ref> Inventum grave, quod deinde musicam electronicam penitus adfecit, fuit [[tubus audion]], a [[Lee DeForest]] excogitatus. Hic fuit primus [[tubus vacuus]] (accuratius, epistomium<!--valva--> thermionicum), anno [[1906]] effectus, qui ad generationen et amplificationem signorum<!--signals--> [[electricitas|electricorum]], emissionum [[radiophonia|radiophonicarum]], computationis electronicae, et aliarum rerum conduxit. Ante musicam electronicam inventam, compositores magis et magis desiderabant technologiis emergentibus in musica uti. Nonnulla [[instrumentum musicum|instrumenta]] facta sunt quae designationes electromechanicas adhibebant atque vicissim facultatem aliorum instrumentorum electronicorum fecit.
[[Fasciculus:Stockhausen 1991 Studio.jpg|thumb|[[Carolus Henricus Stockhausen|Karlheinz Stockhausen]] in Electronic Music Studio stationis WDR, [[Colonia Agrippina|Coloniae Agrippinae]], anno [[1991]].]]
[[Fasciculus:Josef Tal at the Electronic Music Studio.jpg|thumb|[[Iosephus Tal]], [[compositor]] Israeliticus, in Electronic Music Studio [[Hierosolyma]]te (circa [[1965]]). Dextra, [[synthesizator]] sonorum ''Special Purpose Tape Recorder,'' a [[Hugh Le Caine]] excogitatus.]]
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[[Fasciculus:Bending.jpg|thumb|Musicus <!--+using a jeweler's screwdriver and--> adligatoribus comprimentibus<!--alligator clips--> "flexus" scrutatur.]]
 
[[Telharmonium]], fortasse primum instrumentum electromechanicum (aliquando ''teleharmonium'' et ''dynamophone'' etiam dictum) a [[Thaddeus Cahill|Thaddeo Cahill]] annos [[1898]]–[[1912]] evolutum est; simplex autem incommodum prosperitatem telharmonii impediebat, ob eius [[magnitudo|magnitudinem]] immensam. Primum [[instrumentum musicum electronicum|instrumentum electronicum]] saepe putatur [[theremin]], a Professore [[Leo Theremin|Leone Theremin]] circa [[1919]]–[[1920]] excogitatum.<ref>{{harvnb|Anonymous|2001}}.</ref> Inter alia instrumenta electronica temporum primorum sunt [[crux canorus]] ([[Francice]] ''croix sonore''), a [[Nicolaus Obukhov|Nicolao Obukhov]] anno [[1926]] excogitatus, et [[undae musicae]] ([[Francice]] ''ondes musicales,'' ''ondes Martenot''), in ''[[Symphonia Turangalîla]]'' aliisque [[Olivarius Messiaen|Olivarii Messiaen]] operibus insignissime adhibitus. Alii compositores, plerumque [[Francia|Francici]], inter quos [[Andreas Jolivet]], undis musicis etiam usi sunt.<ref>{{harvnb|Orton|Davies|n.d.}}</ref>
 
==Genera==<!--Ex commentario priore:-->
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*[[Trance]]
 
== Vide etiam ==
*[[Audium (theatrum)]]
*[[Beaver & Krause]]
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*[[Sculptura sonica]]<!-- + [[New Interfaces for Musical Expression]] + [[Tracker music]] -->
 
== Notae ==
<div class="references-small"><references/></div>
 
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