Quantum redactiones paginae "Dada" differant

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===Novum Eboracum===
Sicut Turicum, [[Urbs Novum Eboracum|Novum Eboracum]] pro refugium fuit [[scriptor]]um et [[artifex|artificum]] [[Bellum Orbis Terrarum I|bellum Europaeanum]] fugientium. [[Marcellus Duchamp]] et [[Franciscus Picabia]] non ita multo postquam a [[Francia]] advecti erant, in [[Man Ray]], artificem [[Civitates Foederatae|Americanum]] inciderunt. Ante [[1916]], hi tres centrum agitationum extremarum contra artem in [[Civitates Foederatae|Civitatibus Foederatis]] fuerunt. [[Beatrice Wood]], Americana quae in Francia rebus variis studuerat, se cum eis mox coniunxit; pariter [[Elsa von Freytag-Loringhoven]]. [[Arthurus Cravan]], [[conscriptio]]nem militarem in [[Francia]] fugens, ad tempus aderat. Multum eorum agitationis in 291, [[pinacotheca]] [[Alfredus Stieglitz|Alfredi Stieglitz]], et in [[domus|domu]] [[Gualterius Conradus Arensberg|Gualterii et Ludovicae Arensberg]] nisum est.
==Poesis, musica, sonus==
Dada magnum non solum apud [[ars|artes]] [[ars oculorum|oculorum]] et [[litterae|litterarum]] potuit, sed se in [[sonus|sonos]] et [[musica]]m extendit. [[Curtius Schwitters]] [[poema]]ta excogitavit quae [[poesis sonorum|poemata sonorum]] appellavit, cum [[Francisus Picabia]] et [[Georgius Ribemont-Dessaignes]] musicam Dada componerent, quae in Festo Dada, [[Lutetia]]e die [[26 Maii]] [[1920]] habito, peracta est. [[Ervinus Schulhoff]], Ioannes Heusser, Albertus Savinio, aliisque [[compositor]]es musicam Dada appellatam fecerunt, cum [[Sexviri]]<!--Les Six--> notissimi, participibus motus Dada adiuvantibus, vicissim facerent ut sua opera in conventibus Dada peragerentur. Praeterea, [[Ericus Satie]] notiones Dada per suum curriculum leviter attigit, sed se cum [[impressionismus musicus|impressionismo musico]] praecipue consociavit.
 
In prima re Dada edita, [[Hugo Ball]] "[[orchestra]]m [[balalaika]]rum" descripsit quae "suavia [[carmen vulgare|carmina vulgaria]] psallerat." [[Musica Africana]] et [[iaz]] in conventibus Dada saepe audita sunt, reditum ad [[natura]]m et [[primitivismus|primitivismum]] simplicem significantia.
 
==Vide etiam==
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==Bibliographia==<!--
*''The Dada Almanac'', ed. Richard Huelsenbeck [1920], re-edited and translated by Malcolm Green et al., [[Atlas Press]], with texts by Hans Arp, Johannes Baader, Hugo Ball, Paul Citröen, Paul Dermée, Daimonides, Max Goth, John Heartfield, Raoul Hausmann, Richard Huelsenbeck, Vincente Huidobro, Mario D'Arezzo, Adon Lacroix, Walter Mehring, Francis Picabia, Georges Ribemont-Dessaignes, Alexander Sesqui, Philippe Soupault, Tristan Tzara. ISBN 0947757627.
*''Blago Bung, Blago Bung'', Hugo Ball's Tenderenda, Richard Huelsenbeck's Fantastic Prayers, & Walter Serner's Last Loosening - three key texts of Zurich ur-Dada. Translated and introduced by Malcolm Green. [[Atlas Press]], ISBN 0947757864.-->
 
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*''Dada, catalogue d'exposition.'' [[2005]]. Centre Pompidou.
*Durozoi, Gérard. [[2005]]. ''Dada et les arts rebelles.'' Lutetiae: Hazan, Guide des Arts.
*Gammel, Irene. [[2002]]. ''Baroness Elsa: Gender, Dada and Everyday Modernity.'' CantabirgiaeCantabrigiae Massachusettae: MIT Press.
*Hoffman, Irene. [http://www.artic.edu/reynolds/essays/hofmann.php ''Documents of Dada and Surrealism: Dada and Surrealist Journals in the Mary Reynolds Collection.''], Ryerson and Burnham Libraries, The Art Institute of Chicago.
 
*Huelsenbeck, Richard. [[1991]]. ''Memoirs of a Dada Drummer.'', (Berkeleiae et Angelopoli: University of California Press: Berkeley and Los Angeles, 1991).
*Hoffman, Irene. [http://www.artic.edu/reynolds/essays/hofmann.php ''Documents of Dada and Surrealism: Dada and Surrealist Journals in the Mary Reynolds Collection''], Ryerson and Burnham Libraries, The Art Institute of Chicago.
*Jones, Dafydd. [[2006]]. ''Dada Culture.'' (NewNovi YorkEboraci andet AmsterdamAmstelodami: Rodopi Verlag, 2006.
*Huelsenbeck, Richard. ''Memoirs of a Dada Drummer'', (University of California Press: Berkeley and Los Angeles, 1991)
*Lavin, Maud. [[1993]]. ''Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Höch.''. NewPortu HavenNovo: Yale University Press, 1993.
*Jones, Dafydd. ''Dada Culture'' (New York and Amsterdam: Rodopi Verlag, 2006
*Lemoine, Serge. ''Dada.'' Lutetiae: Hazan, coll. L'Essentiel.
*Lavin, Maud. ''Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Höch''. New Haven: Yale University Press, 1993.
*LemoineLista, SergeGiovanni. [[2005]]. ''Dada'', Paris,libertin Hazan,& colllibertaire.'' Lutetiae: L'Essentielinsolite.
*Melzer, Annabelle. [[1976]], [[1994]]. ''Dada and Surrealist Performance.'' Baltimorae et Londinii: PAJ Books, ser. Baltimore and London: The Johns Hopkins UP,University 1994Press. ISBN 0801848458.
*Lista, Giovanni. ''Dada libertin & libertaire'', Paris, L'insolite, 2005.
*Novero, Cecilia. [[2010]]. "''Antidiets of the Avant-Garde: From Futurist Cooking to Eat Art." .. (University of Minnesota Press, 2010).
*Melzer, Annabelle. 1976. ''Dada and Surrealist Performance.'' PAJ Books ser. Baltimore and London: The Johns Hopkins UP, 1994. ISBN 0801848458.
*Richter, Hans. [[1965]]. ''Dada: Art and Anti-Art.'' (LondonLondinii: Thames and Hudson, 1965).
*Novero, Cecilia. "Antidiets of the Avant-Garde: From Futurist Cooking to Eat Art." (University of Minnesota Press, 2010)
*Sanouillet, Michel. [[1965]], [[1993]]. [[2005]]. ''Dada à Paris.'', Paris,Lutetiae: Jean-Jacques Pauvert, 1965,. <!--Flammarion, 1993, CNRS, 2005-->
*Richter, Hans. ''Dada: Art and Anti-Art'' (London: Thames and Hudson, 1965)
*Sanouillet, Michel. ''Dada à Paris'', Paris, Jean-Jacques Pauvert, 1965, Flammarion, 1993, CNRS, 2005
*Sanouillet, Michel. [[2009]]. ''Dada in Paris.'' Cantabrigiae Massachusettae: MIT Press.
*Schneede, Uwe M. [[1979]]. ''George Grosz, His life and Work.'' Novi Eboraci: Universe Books.
*Verdier, Aurélie. [[2005]]. ''L'ABCdaire de Dada.'' LutetiasLutetiae: Flammarion.
 
==Nexus externi==