Quantum redactiones paginae "Allusio" differant

 

'''Allusio''' est [[figura orationis]], in qua [[scriptor]] mentionem occulte vel oblique facit rei vel temporis quod in contextu externo accidit vel exsistit.<ref>"A covert, implied or indirect reference" (''[[OED]]''); Carmela Perri explored the extent to which an allusion may be overt, in "On alluding" ''Poetics'' '''7''' (1978); [[M. H. Abrams]] defined allusion as "a brief reference, explicit or indirect, to a person, place or event, or to another literary work or passage" (''A Glossary of Literary Terms'' 1971, ''s.v. "Allusion").</ref> Coniunctio fieri debet a lectore.<ref>H. W. Fowler, ''A Dictionary of Modern English Usage''.</ref> Ubi coniunctio ab [[auctor]]e ipso singulis penitus explicatur, melius appellatur [[referentia]]. Allusio [[litterae|litteraria]] in [[ars|artibus]] textum citatum in contextu novo ponit, ubi novas [[functio poetica|significationes et denotationes]] sibi suscipit.<ref name="BenPorot76p107"/> Praefinire naturam omnium significationum et exemplarium inter textus quae allusio generare potest non fieri potest.<ref name="BenPorot76p107"/> Allusio litteraria cum [[parodia]] et ''[[pastiche]]'' arte coniungitur, quae etiam sunt [[dolus literarius|doli litterarii]] qui textus conectunt.<ref name="BenPorot76p107">Ben-Porot (1976),107–108: {{quotation|The literary allusion is a device for the simultaneous activation of two texts. The activation is achieved through the manipulation of a special signal: a sign (simple or complex) in a given text characterized by an additional larger "referent." This referent is always an independent text. The simultaneous activation of the two texts thus connected results in the formation of intertextual patterns whose nature cannot be predetermined. . . . The "free" nature of the intertextual patterns is the feature by which it would be possible to distinguish between the literary allusion and other closely related text-linking devices, such as parody and pastiche.}}</ref>