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Origines consortis erant in grege<!-- +amateur--> purpuratorum<!--=courtiers--> gravissimorum qui pro se intra [[musica secreta|musicam secretam]] ducis [[decennium 158|decennio 158]] haud sollemni more perfungebantur. Consors tum factus est grex professionalium musicorum [[femina (sexus)|feminorum]], ''concerto delle donne,'' qui concentus<!--+formal--> pro personis interioris curiae circuli hospitibusque magni momenti praebuerunt. Eorum modus usitatus, qui concentum<!--=harmonious singing--> floridum et ornamentatissimum vehementius dixit, Ferrariam gloriá adfecit, [[compositor]]esque illius temporis penitus movit.
''Concerto delle donne'' statum [[mulier]]um in musica professionali incitavit, et locum curiae [[Domus Hestensis|Hestensis]] ut situs musicus continuavit.<!-- Word of the ladies' ensemble spread across Italy, inspiring imitations in
[[Barbara Strozzi]] fuit [[unus|una]] ex ultimis huius modi [[compositor]]ibus et perfunctoribus, qui ante medium [[saeculum 17|saeculum septimum decimum]] antiquum iam habebatur.<ref name="Springfels"/>
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*LaMay, Thomasin. [[2002]]. Madalena Casulana: My body knows unheard of songs. In ''Gender, Sexuality, and Early Music,'' ed. Todd Borgerding, 41–72. ISBN 0-8153-3394-3.
*Newcomb, Anthony. [[1980]]. ''The Madrigal at Ferrara, 1579–1597.'' Princetoniae: Princeton University Press. ISBN 0-691-09125-0.
*Newcomb, Anthony. [[1986]]. Courtesans, Muses, or Musicians: Professional women musicians in sixteenth-century Italy. In ''Women Making Music: The Western Musical Tradition, 1150–1950,'' ed. J. Bowers et J. Tick, 90–115. Urbanae Illinoesiae. ISBN 0-252-01470-7.
*Pendle, Karin. [[2001]]. ''Women and Music: A History.'' Bloomington: Indiana University Press. ISBN 0-253-21422-X.
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*{{cite web | url = http://www.newberry.org/consort/daughtersofmuseprogram.html | title = Newberry Consort Repertoire - Daughters of the Muse | accessdate =
==Nexus externi==
*[http://www.soton.ac.uk/~lastras/secreta/ Situs Laurie Stras,] apud
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