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* [[Ricardus Rodgers]] et [[Anscharius Hammerstein II]]: ''[[Oklahoma (ludus musicus)|Oklahoma!]], [[Carousel (ludus musicus)|Carousel]], [[South Pacific (ludus musicus)|South Pacific]], [[The King and I]], [[Flower Drum Song]], [[The Sound of Music (opus musicale)|The Sound of Music]]''
*[[Stephanus Schwartz (compositor)|Stephanus Schwartz]]: ''[[Pippin (ludus musicus)|Pippin]], [[Godspell]], [[Wicked (musical)|Wicked]]''
* [[Stephanus Sondheim]]: ''[[A Funny Thing Happened on the Way to the Forum]], [[Company (ludus musicus)|Company]], [[Follies]], [[Sunday in the Park with George]], [[Sweeney Todd: The Demon Barber of Fleet Street (pellicula)|Sweeney Todd]]<!--
Though show tunes vary in style, they do tend to share common characteristics—they usually fit the context of a story being told in the original musical, they are useful in enhancing and heightening choice moments. Until the late forties, show tunes dominated popular music: most of the hits of such songwriters as [[Jerome Kern]], [[Cole Porter]], and [[George Gershwin]] came from their shows.-->
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