Marina Belozerskaya

Marina Belozerskaya (Moscuae nata) est erudita historiae artium, praecipue aevi litterarum et artium renascentium. Alumna est universitatum Californiensis apud Berkeleiam, ubi baccalaureata est anno 1987, et Chicaginiensis, ubi doctoratum anno 1997 meruit. Docuit postea apud universitates Harvardianam, Tuftensem, Bostoniensem, sed hodie iuxta universitatem Californiensem apud Angelopolim. In eadem urbe habitat.

Naturam mappae mundi deperditae, quam olim Iohannes de Eyck ad usum Philippi Burgundiensis confecit, anno 2000 in commentatione "Jan van Eyck's Lost Mappamundi" evolvit. Anno 2009, titulo To Wake the Dead, de vita Cyriaci Anconitani scripsit. Nuper sub titulo Medusa's Gaze historiam scutellae Farnensis enarravit. Liber The Medici Giraffe, anno 2006 divulgatus, est catena historiarum de possessoribus animalium exoticorum, inter quos Ptolemaeo Philadelpho elephantum, Laurentius Medicaeus giraffae, imperatrici Iosephina cygnorum nigrorum, imperatori Rudolpho II.

Opera recensere

2002 : Rethinking the Renaissance: Burgundian arts across Europe. Cantabrigiae: Cambridge University Press. ISBN 0-521-80850-2
2004 (cum Kenneth Lapatin): Ancient Greece: art, architecture, and history. Angelopoli: Getty Publications. ISBN 0-89236-695-8 Recensio
2005 : Luxury Arts of the Renaissance. Londinii: Thames & Hudson. ISBN 0-500-23824-3 (Paginae selectae apud Google Books)
2006 : The Medici Giraffe and Other Tales of Exotic Animals and Power. Novi Eboraci: Little, Brown. ISBN 978-0-316-52565-7 Paginae selectae
2008 : The Arts of Tuscany: from the Etruscans to Ferragamo. Novi Eboraci: Abrams. ISBN 0810993783
2009 : To Wake the Dead: a Renaissance merchant and the birth of archaeology. Novi Eboraci: W. W. Norton. ISBN 978-0-393-06554-1 (Paginae selectae apud Google Books)
2012 : Medusa's Gaze. the extraordinary journey of the Tazza Farnese. Oxonii: Oxford University Press. ISBN 9780199739318 (Paginae selectae apud Google Books)

2000 : "Jan van Eyck's Lost Mappamundi: a token of fifteenth-century power politics" in Journal of Early Modern History vol. 4 pp. 45-84 Epitome
2000 (cum Kenneth Lapatin) : "Antiquity Consumed: transformations at San Marco, Venice" in A. Kuttner, A. Payne, R. Smick edd., Antiquity and Its Interpreters (Cantabrigiae: Cambridge University Press) pp. 83-95
2002 : "An Unrecognized Source for Raphael's Madonna of the Goldfinch" in Source: Notes in the History of Art (hieme 2002) pp. 17-21 JSTOR
2004 : "Cellini's Saltcellar" in Margaret A. Galluci, Paolo L. Rossi, edd., Benvenuto Cellini 1500-1571: Sculptor, Goldsmith, and Writer (Cantabrigiae: Cambridge University Press, 2004)
2010 : "Cyriacus in the Mediterranean: the first tourist" in History Today vol. 60 no. 3 Epitome

Ingrid Alexander-Skipnes, recensio operis Rethinking the Renaissance in International Journal of the Classical Tradition vol. 11 (2005) pp. 480-485 JSTOR
Amy Henderson, "Marina Belozerskaya: A Vessel's Voyage: the journey of a cameo, from Cleopatra's Egypt to modern Italy^{[nexus deficit]}" in Weekly Standard vol. 18 no. 19 (28 Ian. 2013) [Recensio operis Medusa's Gaze]