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Fasciculus:Selfportrait (Rembrandt Harmensz. van Rijn) - Nationalmuseum - 22374.tif

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Rembrandus: Effigies sui ipsius  wikidata:Q18600931 reasonator:Q18600931
Artifex
Rembrandus  (1606–1669)  wikidata:Q5598 s:en:Author:Rembrandt Harmenszoon van Rijn q:en:Rembrandt
 
Rembrandus
Alia nomina
Rembrandt van Rijn, Birth name: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn
Descriptio Dutch painter, printmaker et drawer
Dies natalis/mortis 15 Iulius 1606 Edit this at Wikidata 4 October 1669 Edit this at Wikidata
Locus natalis/mortis Lugdunum Batavorum Amstelodamum
Work period circa 1625 - circa 1669
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902
Work location
Lugdunum Batavorum (1620-1624), Amstelodamum (1624-1625), Lugdunum Batavorum (1625-1633), Amstelodamum (1631-1669)
Authority file
artist QS:P170,Q5598
image of artwork listed in title parameter on this page
Depicted people
InfoField
Rembrandt Harmensz. van Rijn
Titulus
English: Selfportrait
Svenska: Självporträtt
Object type tabula picta
object_type QS:P31,Q3305213
Genus self-portrait Edit this at Wikidata
Descriptio
English: Rembrandt’s self-portrait is a relatively small painting, measuring just 12.2x15.5 cm. The base is copper plate covered with a layer of white lead completely overlaid with gold leaf. The portrait was acquired by Nationalmuseum in connection with the Rembrandt exhibition of 1956 and portrays the artist as a serious, quite melancholic young man. The face is modelled with fine, careful brushstrokes. The young man’s gaze is searching and concentrated. The portrait is dated 1630, when Rembrandt was 24 years old.

There are known to be five Rembrandt paintings on copper, three of which are on a gold leaf ground. In addition to the Nationalmuseum self-portrait, these are An Old Woman at Prayer in Salzburg and The Laughing Soldier in The Hague. The paintings are in a similar format and date from the same period.

There are major similarities in terms of lighting, expression and character between Nationalmuseum’s self-portrait and other early self-portraits. However, due to its small format and special base, this little self-portrait required more detailed brushstrokes than the larger portraits on panel and canvas.
Svenska: Rembrandts självporträtt är en till formatet litet målning – den mäter endast 12,2x15,5 cm. Underlaget är kopparplåt täckt av ett lager blyvitt och därefter överdraget med heltäckande bladguld. Porträttet inköptes till Nationalmuseum i samband med Rembrandtutställningen år 1956 och framställer konstnären som en allvarlig, ganska dyster ung man. Ansiktet är modellerat med fina försiktiga penseldrag. Den unge mannens blick är forskande och koncentrerad. Porträttet är daterat till 1630 och Rembrandt var då 24 år.

Fem målningar på koppar av Rembrandt är kända och tre av dem har bladguld som grund. Förutom Nationalmuseums självporträtt är det An Old Woman at Prayer i Salzburg samt The laughing soldier i Haag. Målningarna har ungefär samma format och är daterade till samma period.

Det finns stora överensstämmelser i fråga om ljusföring, uttryck och karaktär mellan Nationalmuseums självporträtt och andra tidiga självporträtt. Med sitt lilla format och sin speciella grund krävde det lilla självporträttet dock en mer detaljerad penselföring än de större porträtten på pannå och duk.
Depicted people Rembrandus Edit this at Wikidata
Original caption
InfoField
English: Rembrandt’s self-portrait is a relatively small painting, measuring just 12.2x15.5 cm. The base is copper plate covered with a layer of white lead completely overlaid with gold leaf. The portrait was acquired by Nationalmuseum in connection with the Rembrandt exhibition of 1956 and portrays the artist as a serious, quite melancholic young man. The face is modelled with fine, careful brushstrokes. The young man’s gaze is searching and concentrated. The portrait is dated 1630, when Rembrandt was 24 years old.

There are known to be five Rembrandt paintings on copper, three of which are on a gold leaf ground. In addition to the Nationalmuseum self-portrait, these are An Old Woman at Prayer in Salzburg and The Laughing Soldier in The Hague. The paintings are in a similar format and date from the same period.

There are major similarities in terms of lighting, expression and character between Nationalmuseum’s self-portrait and other early self-portraits. However, due to its small format and special base, this little self-portrait required more detailed brushstrokes than the larger portraits on panel and canvas.
Svenska: Rembrandts självporträtt är en till formatet litet målning – den mäter endast 12,2x15,5 cm. Underlaget är kopparplåt täckt av ett lager blyvitt och därefter överdraget med heltäckande bladguld. Porträttet inköptes till Nationalmuseum i samband med Rembrandtutställningen år 1956 och framställer konstnären som en allvarlig, ganska dyster ung man. Ansiktet är modellerat med fina försiktiga penseldrag. Den unge mannens blick är forskande och koncentrerad. Porträttet är daterat till 1630 och Rembrandt var då 24 år.

Fem målningar på koppar av Rembrandt är kända och tre av dem har bladguld som grund. Förutom Nationalmuseums självporträtt är det An Old Woman at Prayer i Salzburg samt The laughing soldier i Haag. Målningarna har ungefär samma format och är daterade till samma period.

Det finns stora överensstämmelser i fråga om ljusföring, uttryck och karaktär mellan Nationalmuseums självporträtt och andra tidiga självporträtt. Med sitt lilla format och sin speciella grund krävde det lilla självporträttet dock en mer detaljerad penselföring än de större porträtten på pannå och duk.
Datum 1630
date QS:P571,+1630-00-00T00:00:00Z/9
Medium
English: Oil on copper
Svenska: Olja på koppar
Dimensions
  • Altitudo: 15.5 cm; Latitudo: 12 cm
    dimensions QS:P2048,15.5U174728
    dimensions QS:P2049,12U174728
  • Framed: Altitudo: 37 cm; Latitudo: 34 cm; depth: 7 cm
    dimensions QS:P2048,37U174728
    dimensions QS:P2049,34U174728
    dimensions QS:P5524,7U174728
institution QS:P195,Q842858
Accession number
NM 5324
Inscriptions
Svenska: Signerad: R...1630
References
Source/Photographer Erik Cornelius / Nationalmuseum
Permissio
(Reusing this file)

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

The author died in 1669, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

This digital reproduction has been released under the following licenses:

Public domain

Nationalmuseum has placed those images in the Public Domain which have been acquired exclusively by digital reproduction of those works of art that are no longer protected by copyright. Nationalmuseum does not consider that a new copyright emerges for the reproduction.

Nationalmuseum has stated some guidelines below that we consider best practice when using images in the Public Domain. The guidelines below are based on the Europeana Public Domain Usage Guidelines, but there is no legal liability to comply with them.

  • When you use a public domain work please credit the author or creator.
  • Please also credit Nationalmuseum and the photographer, who created the digital reproduction and made it available.
  • When you use or modify a public domain work you should not attribute the changes to the creator or the provider of the work.

You can easily link to the object as a source, otherwise we recommend the following:

Artist: Title, Date, Nationalmuseum (Photo: photographer’s name), public domain

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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.


Captions

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Self-portrait, 1630, Nationalmuseum, Stockholm

Items portrayed in this file

depicts Anglica

Effigies sui ipsius

captured with Anglica

Nikon D3X Anglica

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