Fasciculus:Айвазовский (Гайвазовский) Иван (Оганес) Константинович Черное море (На Черном море начинает разыгрываться буря).jpg

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Summarium

Ioannes Ajvazovskij: The Black Sea  wikidata:Q4518724 reasonator:Q4518724
Artifex
Ioannes Ajvazovskij  (1817–1900)  wikidata:Q181568 s:hy:Հեղինակ:Հովհաննես Այվազովսկի q:hy:Հովհաննես Այվազովսկի
 
Ioannes Ajvazovskij
Alia nomina

Russica: Иван Константинович Айвазовский (Ivan Konstantinovič Ajvazovskij)

Armenica: Հովհաննես Այվազովսկի
Descriptio Russian- marine painter
Dies natalis/mortis 17 Iulius 1817 (in Julian calendar) Edit this at Wikidata 19 Aprilis 1900 (in Julian calendar) Edit this at Wikidata
Locus natalis/mortis Theodosia Theodosia
Work location
Authority file
creator QS:P170,Q181568
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Titulus
The Black Sea
label QS:Lro,"Marea Neagră"
label QS:Lja,"黒海 (アイヴァゾフスキー)"
label QS:Lfr,"La Mer noire"
label QS:Lcv,"Хура тинĕс"
label QS:Luk,"Чорне море"
label QS:Lru,"Чёрное море"
label QS:Len,"The Black Sea"
label QS:Lhy,"Սև ծով"
label QS:Les,"Mar Negro (pintura de Aivazovski)"
Object type tabula picta Edit this at Wikidata
Genus marine art Edit this at Wikidata
Descriptio
English: Aivazovsky was the best known and most celebrated Russian artist of marine paintings. The sea appears in his paintings as something multifaceted. At times it is an element which is not subjected to any laws and which shatters man; at other times it is tempting in the distance, a symbol of Romantic dream. The viewer beholds an endless expanse of sea and infinite heavens above it. In the foreground there is a wave with whitecaps of foam – the “Aivazovsky wave” as his contemporaries called it. The palette is unusually rich. It brings together greens, silver tones, emerald tints and extends to the darkening deep blues at the horizon. In the centre we see a lone sailboat, symbol of man’s insignificance before the universe and at the same time a sign of the Romantic Wanderlust.
Русский: Айвазовский – самый знаменитый и прославленный русский художник-маринист.Море предстает в его картинах многоликим, то стихией, не подчиняющейся никаким законам, сокрушающей человека, то манящей далью, символом романтической мечты.Перед зрителем – безграничное морское пространство и бескрайнее небо над ним. На первом плане – волна с гребешками пены – «волна Айвазовского», как называли ее современники. Палитра необычайно богата, она сгущается от зеленоватых, серебристых, изумрудных оттенков до глубокой, чернеющей синевы у горизонта. В центре – одинокий парус, символ ничтожности человека перед мирозданием и одновременно знак романтической жажды странствий.
Datum 1881
date QS:P571,+1881-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Altitudo: 149 cm Edit this at Wikidata; Latitudo: 208 cm Edit this at Wikidata
dimensions QS:P2048,+149U174728
dimensions QS:P2049,+208U174728
institution QS:P195,Q183334
Current location
room 19
Accession number
803
References Государственная Третьяковская Галерея
Source/Photographer Государственная Третьяковская Галерея
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Potestas usoris

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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depicts Anglica

The Black Sea Anglica

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