Orphismus (ars)
Orphismus, vel cubismus Orphicus (vocabulum a Gulielmo Apollinaire poeta Francico anno 1912 excogitatum), fuit cubismi stirps quae abstractionem puram clarosque colores tractavit, a Fauvismo ac scripturis rationalibus Pauli Signac, Caroli Henry, et Eugenio Chevreul chemico tincturarum mota. Qui motus artis, res magni momenti in transitu a cubismo ad artem abstractam perceptus, a František Kupka, Roberto Delaunay, et Sonia Delaunay promota est, qui usum colorum per monchromatico cubismi aevo renovaverunt.[1] Significatio vocabuli Orphismi recondita erat cum primum appareret, et aliquantum vaga manet.[2]
Nexus interni
Notae recensere
- ↑ Tate Glossary.
- ↑ Hajo Düchting, "Museum of Modern Art, New York" (Grove Art Online, Oxford University Press, 2009).
Bibliographia recensere
- Baron, Stanley, et Janques. 1995. Sonia Delaunay: The Life of an Artist. Harry N. Abrams.
- Buckberrough, Sherry A. 1978. Robert Delaunay: The Discovery of Simultaneity. Ann Arbor Michiganiae: UMI Research Press.
- Chadwick, Whitney, et Isabelle de Courtivron, eds. 1993. Significant Others: Creativity and Intimate partnership. Londinii: Thames & Hudson.
- Chip, Herschel B. 1958. Orphism and Color Theory. The Art Bulletin 40(1): 55–63.
- Damase, Jacque. 1972. Sonia Delaunay: Rhythms and Colours. Grenovici Connecticutae: New York Graphic Society.
- Gale, Matthew. 2006. Dada and Surrealism. Novi Eboraci: Phaidon Press.
- Hughes, Gordon. 2007. Envisioning Abstraction: The Simultaneity of Robert Delaunay's First Disk. The Art Bulletin 89(2): 306–332.
- Seidner, David. 1982. Sonia Delaunay. BOMB Magazine 2(hiems). Commentarius.
- Spate, Virginia. 1981. Orphism. In Concepts of Modern Art: Fauvism to Post-Modernism, ed. Nikos Stangoes. Londinii: Thames & Hudson.
Nexus externi recensere
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